AVALIAÇÃO DA IMDb
7,7/10
10 mil
SUA AVALIAÇÃO
Um magnata da indústria automobilística se aposenta pretendendo aproveitar a vida com sua esposa, mas durante um grande tour na Europa, as diferenças entre ele e ela colocam o casamento em x... Ler tudoUm magnata da indústria automobilística se aposenta pretendendo aproveitar a vida com sua esposa, mas durante um grande tour na Europa, as diferenças entre ele e ela colocam o casamento em xeque.Um magnata da indústria automobilística se aposenta pretendendo aproveitar a vida com sua esposa, mas durante um grande tour na Europa, as diferenças entre ele e ela colocam o casamento em xeque.
- Ganhou 1 Oscar
- 3 vitórias e 9 indicações no total
Maria Ouspenskaya
- Baroness Von Obersdorf
- (as Mme. Maria Ouspenskaya)
John Payne
- Harry
- (as John Howard Payne)
Bobby Barber
- Italian Taxi Driver
- (não creditado)
John Barclay
- Ship Passenger
- (não creditado)
Wilson Benge
- Steward on Queen Mary
- (não creditado)
Ted Billings
- Man on Railroad Platform
- (não creditado)
Eugene Borden
- Baggage Carrier at Train Station
- (não creditado)
Horace B. Carpenter
- Motor Company Employee
- (não creditado)
Enredo
Você sabia?
- CuriosidadesWilliam Wyler spent a whole afternoon shooting the sequence where Fran (Ruth Chatterton) burns a letter from her husband; he wanted the letter to specifically blow gently along the terrace, stop for a moment, and then continue to flutter as the scene faded to black as a metaphor for Fran and Sam's failing marriage.
- Erros de gravaçãoTubby's glass is fuller when he puts it down when he and Matey leave than when he almost takes a drink.
- Citações
Sam Dodsworth: You'll have to stop getting younger someday.
- Versões alternativasThe 1946 re-release, shown on the Turner Classic Movies channel, lists the end credits with a different order: Kathryn Marlowe is listed after Harlan Briggs, and John Payne is listed last, after Marlowe.
- ConexõesFeatured in AFI Life Achievement Award: A Tribute to William Wyler (1976)
- Trilhas sonorasAuld Lang Syne
(1788) (uncredited)
Traditional Scottish 17th century music
Arranged by Alfred Newman
Played during the opening scene
Avaliação em destaque
"Dodsworth" is a disarmingly honest and frank depiction of a failed marriage, based on the Sinclair Lewis novel. Its naturalistic acting and its refusal to make its characters anything less than full-bodied human beings make it feel way ahead of its time. It's never mentioned along with other classic films of the period--probably because it doesn't have an epic scope--but it should be.
Walter Huston gives an absolutely flawless performance in the title role. His type is so recognizable, even today: the successful American business man who values the simplest and most traditional of American values, and who comes across as provincial and crass to the rest of the world. Ruth Chatterton meets Huston's performance every step of the way as Dodsworth's wife, glad of the material comfort her husband can provide, but embarrassed by him and aware that he will prevent her from joining the world of high culture to which she wants to belong. It is to the movie's distinct credit that neither of these characters is either hero or villain. Dodsworth is crass and unsophisticated; yet at the same time he's honest and never misleads his wife into thinking he's something that he's not. Mrs. Dodsworth has a right to be bored by the kind of life Dodsworth is content with, but she might have thought of that before so readily accepting his financial success.
I don't really know for sure, but I have a feeling this movie might have made people very uncomfortable in 1936. I doubt married couples were encouraged to turn too critical an eye on their own marriages back then, and I suspect that more people than not decided to stick it out in unhappy marriages rather than violate a sense of social propriety. Before the days when people dated for a few years before getting married, many people probably learned about the kind of person they were marrying only after the wedding day. "Dodsworth" beautifully captures the sad, melancholy feeling of waking up one morning and realizing you're not married to the person you thought you were.
Grade: A
Walter Huston gives an absolutely flawless performance in the title role. His type is so recognizable, even today: the successful American business man who values the simplest and most traditional of American values, and who comes across as provincial and crass to the rest of the world. Ruth Chatterton meets Huston's performance every step of the way as Dodsworth's wife, glad of the material comfort her husband can provide, but embarrassed by him and aware that he will prevent her from joining the world of high culture to which she wants to belong. It is to the movie's distinct credit that neither of these characters is either hero or villain. Dodsworth is crass and unsophisticated; yet at the same time he's honest and never misleads his wife into thinking he's something that he's not. Mrs. Dodsworth has a right to be bored by the kind of life Dodsworth is content with, but she might have thought of that before so readily accepting his financial success.
I don't really know for sure, but I have a feeling this movie might have made people very uncomfortable in 1936. I doubt married couples were encouraged to turn too critical an eye on their own marriages back then, and I suspect that more people than not decided to stick it out in unhappy marriages rather than violate a sense of social propriety. Before the days when people dated for a few years before getting married, many people probably learned about the kind of person they were marrying only after the wedding day. "Dodsworth" beautifully captures the sad, melancholy feeling of waking up one morning and realizing you're not married to the person you thought you were.
Grade: A
- evanston_dad
- 16 de nov. de 2005
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- How long is Dodsworth?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 41 minutos
- Cor
- Proporção
- 1.37 : 1
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By what name was Fogo de Outono (1936) officially released in India in English?
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