AVALIAÇÃO DA IMDb
7,3/10
3,6 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaTwo men and two women enjoy a pleasant Sunday at the beach amid the unending toil of the working week.Two men and two women enjoy a pleasant Sunday at the beach amid the unending toil of the working week.Two men and two women enjoy a pleasant Sunday at the beach amid the unending toil of the working week.
Kurt Gerron
- Self
- (não creditado)
Valeska Gert
- Self
- (não creditado)
Heinrich Gretler
- Self
- (não creditado)
Moriz Seeler
- Photo Subject at Beach
- (não creditado)
Ernö Verebes
- Self
- (não creditado)
Enredo
Você sabia?
- CuriosidadesThe film was a major hit when it was released in Germany in 1930. Five of the people who worked on the film went on to direct films in Hollywood: Curt Siodmak, his brother Robert Siodmak, Edgar G. Ulmer, Fred Zinnemann and Billy Wilder.
- Erros de gravaçãoWhen the movie star picture cards are torn off the wall, the number of cards still on the wall constantly changes. Sometimes more cards are still on the wall than in the shot before etc.
- ConexõesFeatured in Histoire(s) du cinéma: Toutes les histoires (1988)
Avaliação em destaque
Five non-professional actors star in this tale of a typical Sunday idyll in and around Berlin. We meet taxi driver Erwin Splettstober, wine salesman Wolfgang von Waltershausen, music store clerk Brigitte Borchert, film extra Christl Ehlers, and model Annie Schreyer, attractive young people who are looking to relax on a sunny Sunday. The first four travel out to the country for a frolic in and around a lake, during which romantic attachments are formed and lost. This is cut together with documentary footage of average German citizens enjoying their Sunday in various ways.
This hard-to-classify effort has a stellar line-up behind the scenes: Billy Wilder and Curt Siodmak worked on the screenplay, the direction was by Robert Siodmak and Edgar G. Ulmer, and an uncredited Fred Zinnemann worked on various aspects of the movie, as well. The cinematography, although primitive and obvious in its trickery (I'm thinking of the often reflected light creating a sun-dappled effect on the actors' faces), has a modernity and immediacy seldom seen in films of the time. I think my favorite sequence of the film was a montage of close-up faces, of all shapes and sizes, of people around the lake. Recommended.
This hard-to-classify effort has a stellar line-up behind the scenes: Billy Wilder and Curt Siodmak worked on the screenplay, the direction was by Robert Siodmak and Edgar G. Ulmer, and an uncredited Fred Zinnemann worked on various aspects of the movie, as well. The cinematography, although primitive and obvious in its trickery (I'm thinking of the often reflected light creating a sun-dappled effect on the actors' faces), has a modernity and immediacy seldom seen in films of the time. I think my favorite sequence of the film was a montage of close-up faces, of all shapes and sizes, of people around the lake. Recommended.
- AlsExGal
- 1 de fev. de 2023
- Link permanente
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- How long is People on Sunday?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 13 minutos
- Cor
- Mixagem de som
- Proporção
- 1.20 : 1
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By what name was Gente no Domingo (1930) officially released in India in English?
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