AVALIAÇÃO DA IMDb
5,6/10
477
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA scheming mother wishes to make a successful match between her daughter and a prince, yet another man, a commoner, may stand in the way.A scheming mother wishes to make a successful match between her daughter and a prince, yet another man, a commoner, may stand in the way.A scheming mother wishes to make a successful match between her daughter and a prince, yet another man, a commoner, may stand in the way.
Russ Powell
- Burgermeister of Rostenburg
- (não creditado)
Florence Wix
- Party Guest
- (não creditado)
Enredo
Você sabia?
- CuriosidadesThis film is one of over 200 titles in the list of independent feature films made available for television presentation by Advance Television Pictures announced in Motion Picture Herald 4 April 1942. At this time, television broadcasting was in its infancy, almost totally curtailed by the advent of World War II, and would not continue to develop until 1945-1946. Because of poor documentation (feature films were often not identified by title in conventional sources) no record has yet been found of its initial television broadcast. It's earliest documented telecasts took place in both New York City and in Washington DC and in Baltimore Wednesday 13 July 1949 on WJZ (Channel 7) and on WMAL (Channel 7) and on WAAM (Channel 13), and in Philadelphia Saturday 31 December 1949 on WCAU (Channel 10).
Avaliação em destaque
It was interesting to see silent film star Lillian Gish in her first talking picture and Marie Dressler was always worth watching. Also love older films and there are many good examples of this type of film. Was not expecting a lot though from 'One Romantic Night' admittedly and am saying this with regret. Reviews have always been indifferent at best, with many respected critics and users not liking it at all and play to film adaptations at that time didn't always fare well.
'One Romantic Night' fails in this respect and is among the worst examples. Gish is much better served in silent films and it is best probably to stick to watching them, don't make 'One Romantic Night' your introduction to her. She and Dressler, who has also been better, don't fare too badly actually compared to everything else. It is the male cast and all the problems that too many play to film adaptations at that time had (all present here) that bring it down. As well as how its troubled production is all over it. Best to be seen as a curio and if you want to see every Gish film she did.
Gish may not be right for her role age-wise, but she looks luminous and gives a heartfelt and not too histrionic performance. Dressler also gives a committed performance without over-compensating and likewise with delightful OP Heggie.
While the sets may betray stage origins, they at least look sumptuous, and likewise with the costumes.
Not much praise otherwise sadly. Rod La Rocque is as stiff as a board and makes planks of wood more animated in comparison. Conrad Nagel is too mannered and smug. The multiple directing changes that 'One Romantic Night' suffered from is too obvious in the finished product, very erratic, and the photography captures Gish well but is too static which adds further to the staginess.
Staginess that is apparent in the stilted scripting, the very sluggish pacing and a story that creaks badly. Even back then it felt at least a decade out of date, is so stop and start and is overwrought.
Has its good points but too much doesn't work at all. 3/10
'One Romantic Night' fails in this respect and is among the worst examples. Gish is much better served in silent films and it is best probably to stick to watching them, don't make 'One Romantic Night' your introduction to her. She and Dressler, who has also been better, don't fare too badly actually compared to everything else. It is the male cast and all the problems that too many play to film adaptations at that time had (all present here) that bring it down. As well as how its troubled production is all over it. Best to be seen as a curio and if you want to see every Gish film she did.
Gish may not be right for her role age-wise, but she looks luminous and gives a heartfelt and not too histrionic performance. Dressler also gives a committed performance without over-compensating and likewise with delightful OP Heggie.
While the sets may betray stage origins, they at least look sumptuous, and likewise with the costumes.
Not much praise otherwise sadly. Rod La Rocque is as stiff as a board and makes planks of wood more animated in comparison. Conrad Nagel is too mannered and smug. The multiple directing changes that 'One Romantic Night' suffered from is too obvious in the finished product, very erratic, and the photography captures Gish well but is too static which adds further to the staginess.
Staginess that is apparent in the stilted scripting, the very sluggish pacing and a story that creaks badly. Even back then it felt at least a decade out of date, is so stop and start and is overwrought.
Has its good points but too much doesn't work at all. 3/10
- TheLittleSongbird
- 15 de mar. de 2020
- Link permanente
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