Adicionar um enredo no seu idiomaKitty Bellairs, a flirtatious young woman of 18th Century England, cuts a swath of broken hearts and romantic conquests as she visits a resort with her sister.Kitty Bellairs, a flirtatious young woman of 18th Century England, cuts a swath of broken hearts and romantic conquests as she visits a resort with her sister.Kitty Bellairs, a flirtatious young woman of 18th Century England, cuts a swath of broken hearts and romantic conquests as she visits a resort with her sister.
Fotos
Theresa Allen
- Minor Role
- (não creditado)
Ethel Griffies
- Gossip
- (não creditado)
Bertram Jones
- Verney's Valet
- (não creditado)
Tina Marshall
- Megrim
- (não creditado)
Geoffrey McDonell
- Lord Northmore
- (não creditado)
Edgar Norton
- Lord Markham
- (não creditado)
Enredo
Você sabia?
- CuriosidadesA B&W nitrate print of this film survives in the UCLA Film and Television Archives and is not listed for Preservation.
- Citações
Capt. O'Hara: Did you find it that?
Sweet Kitty Bellairs: What, sir?
Capt. O'Hara: Humiliated.
Sweet Kitty Bellairs: To be seized, held, kissed, by a common ruffian of the road, how dare you could think it could be anything else.
- Cenas durante ou pós-créditosOpening Card: Merrie Olde England in the year 1793 -- the road that runs from London Town to the City of Bath.
- ConexõesReferenced in An Intimate Dinner in Celebration of Warner Bros. Silver Jubilee (1930)
- Trilhas sonorasDrunk Song
(1930) (uncredited)
Written by Walter O'Keefe and Robert Emmett Dolan (as Bobby Dolan)
Performed by Ernest Torrence, Lionel Belmore and Edgar Norton
Avaliação em destaque
In the very early 1930s, operettas were quite popular. Films like "The Rogue Song" and "Sweet Kitty Bellairs" were just a couple such movies and less than a decade later the style was resurrected with the Jeanette MacDonald and Nelson Eddy films. However, by the mid-1940s the genre was just about dead due to changing tastes and when seen today the pictures come off as very strange and old fashioned. Based on what I've seen, I can understand why they are no longer popular.
When "Sweet Kitty Bellairs" begins, a group of rich 18th century folks are heading to the spa town of Bath for a holiday. However, their carriage is waylaid by bandits and the cheeky masked leader decides that instead of stealing all their valuables that he'd just take a kiss from Kitty. While she protests, it's pretty obvious to tell that she is quite taken by this stranger. And, what's also obvious is that the nice man she later meets at the spa is actually the bandit dressed in the fine clothes of a gentleman. What will come of this? See the film (or, better yet, don't).
This film was creaky with age and left me very, very bored. Much of the music just put me to sleep but the bad acting made it even worse. Particularly bad was Ernest Torrence who just didn't seem to know how to deliver his lines...though he would improve in later films. Perhaps he just wasn't used to sound films. All I know is that the movie left me very cold and this sort of silly fluff just didn't appeal to me. Far less well made and interesting than a MacDonald/Eddy film.
When "Sweet Kitty Bellairs" begins, a group of rich 18th century folks are heading to the spa town of Bath for a holiday. However, their carriage is waylaid by bandits and the cheeky masked leader decides that instead of stealing all their valuables that he'd just take a kiss from Kitty. While she protests, it's pretty obvious to tell that she is quite taken by this stranger. And, what's also obvious is that the nice man she later meets at the spa is actually the bandit dressed in the fine clothes of a gentleman. What will come of this? See the film (or, better yet, don't).
This film was creaky with age and left me very, very bored. Much of the music just put me to sleep but the bad acting made it even worse. Particularly bad was Ernest Torrence who just didn't seem to know how to deliver his lines...though he would improve in later films. Perhaps he just wasn't used to sound films. All I know is that the movie left me very cold and this sort of silly fluff just didn't appeal to me. Far less well made and interesting than a MacDonald/Eddy film.
- planktonrules
- 14 de out. de 2016
- Link permanente
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By what name was Sweet Kitty Bellairs (1930) officially released in Canada in English?
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