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Vinte e quatro horas se passam na varanda de um cortiço em Hell's Kitchen, enquanto um microcosmo do caldeirão americano se interconecta durante uma onda de calor no verão.Vinte e quatro horas se passam na varanda de um cortiço em Hell's Kitchen, enquanto um microcosmo do caldeirão americano se interconecta durante uma onda de calor no verão.Vinte e quatro horas se passam na varanda de um cortiço em Hell's Kitchen, enquanto um microcosmo do caldeirão americano se interconecta durante uma onda de calor no verão.
- Prêmios
- 2 vitórias no total
Greta Granstedt
- Mae Jones
- (as Greta Grandstedt)
Allen Fox
- Dick McGann
- (as Allan Fox)
John Qualen
- Karl Olsen
- (as John M. Qualen)
Enredo
Você sabia?
- CuriosidadesThe surviving print, preserved by the Library of Congress, and occasionally shown on TCM, is the post-Production Code re-release (bearing the re-release Seal of Approval), but since it runs exactly 1:28:40, apparently little alteration was made from the original, whose 1931 New York City opening was clocked at 80 minutes. However, on a couple of occasions, lines of dialogue have been obviously edited out that evidently failed to pass post-code regulations.
- Erros de gravaçãoWhen the milkman arrives in the morning, a moving shadow of the boom microphone is visible to the right of the stoop and is seen again a moment later when Sam comes out of the building.
- Citações
Emma Jones: Aw, men are all alike. They're all easy enough to get along with so long as everything goes the way they want it to, but once it don't, good night.
- ConexõesReferenced in Rival Sublime (1940)
- Trilhas sonorasThe Sidewalks of New York
(1894) (uncredited)
Music by Charles Lawlor
Played as background music twice when children are playing
Avaliação em destaque
In front of a New York City tenement, on a swelteringly hot summer day, gossipy Beulah Bondi (as Emma Jones) and neighbors gather to swap stories and complain about the heat. The story focuses on the Maurrant family. Pretty young Sylvia Sidney (as Rose) is the lead, as evident later in the running time. Her beauty attracts the opposite sex, most significantly sensitively Jewish William Collier Jr. (as Sam Kaplan). Mother Estelle Taylor (as Anna) is rumored to be having an affair with milkman Russell Hopton (as Steve Sankey). No wonder, as husband and father David Landau (as Frank) is a nasty, loud-mouthed bigot. Roller-skating son Lambert Rogers (as Willie) rounds out the Maurrant family. He has a great run as part of the classic opening sequence...
Producer Samuel Goldwyn did well in bringing this Elmer Rice's Broadway hit to the motion picture screen. The play won a "Pulitzer Prize" for drama (1929) and the film placed second in the annual "Film Daily" poll (1931).
The play was acted in front of the characters' tenement. The film preserves this gimmick, but stretches its landscape up and down the street. It's artistically directed by King Vidor, fluidly photographed by George Barnes, and features a classic soundtrack by Alfred Newman. We never see the inside of anyone's apartment. Some of the early scenes are stunning, with setting and characters strikingly presented. The great American "melting pot" of various ethnic groups living together in a city is nicely captured; this mixing produced an incredible country, but the stories herein only minimally illustrate a bigger picture. Violence and separation are the rule. As the story progresses, it cools off. "Street Scene" loses some of its sweat, and never its gimmick.
******* Street Scene (8/26/31) King Vidor ~ Sylvia Sidney, William Collier Jr., Estelle Taylor, Beulah Bondi
Producer Samuel Goldwyn did well in bringing this Elmer Rice's Broadway hit to the motion picture screen. The play won a "Pulitzer Prize" for drama (1929) and the film placed second in the annual "Film Daily" poll (1931).
The play was acted in front of the characters' tenement. The film preserves this gimmick, but stretches its landscape up and down the street. It's artistically directed by King Vidor, fluidly photographed by George Barnes, and features a classic soundtrack by Alfred Newman. We never see the inside of anyone's apartment. Some of the early scenes are stunning, with setting and characters strikingly presented. The great American "melting pot" of various ethnic groups living together in a city is nicely captured; this mixing produced an incredible country, but the stories herein only minimally illustrate a bigger picture. Violence and separation are the rule. As the story progresses, it cools off. "Street Scene" loses some of its sweat, and never its gimmick.
******* Street Scene (8/26/31) King Vidor ~ Sylvia Sidney, William Collier Jr., Estelle Taylor, Beulah Bondi
- wes-connors
- 23 de jun. de 2012
- Link permanente
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- How long is Street Scene?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Street Scene
- Locações de filme
- Nova Iorque, Nova Iorque, EUA(second unit)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 584.000 (estimativa)
- Tempo de duração1 hora 20 minutos
- Cor
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By what name was No Turbilhão da Metrópole (1931) officially released in India in English?
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