Adicionar um enredo no seu idiomaMissionary Cradlebait goes to the jungle to "civilize" the cannibals, but ends up in a cooking pot.Missionary Cradlebait goes to the jungle to "civilize" the cannibals, but ends up in a cooking pot.Missionary Cradlebait goes to the jungle to "civilize" the cannibals, but ends up in a cooking pot.
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- CuriosidadesWhile filming the scene in which Shirley Temple rides in an ostrich-drawn carriage, the ostrich was startled by the bright lights and bolted forward. Temple was thrown from the carriage, but fortunately, a crew member caught her in midair.
- Erros de gravaçãoWhen we first see Shirley and Little Tarzan on the elephant, Shirley is seated to our left. In the next cut, Shirley is seated to our right.
- Citações
[first lines]
Madame Cradlebait: Rest!
- ConexõesFeatured in Sprockets: Hollywood Babes (1991)
Avaliação em destaque
A BABY BERLESK Short Subject.
Madam Cradlebait, Converter of Cannibals, arrives in the jungle in time to be captured by savages and popped into a big black cooking pot. Can the resident Ape Boy save this KID'IN' AFRICA in time?
Short, mildly amusing and thoroughly racist, this little film (which is a spoof of both TRADER HORN & TARZAN) is notable only as one of the early, pre-celebrity movie appearances by Shirley Temple. As ever, she is abundantly talented & cute as a button. The racism, while rather embarrassing, was not at all unusual in Hollywood films of this period.
Often overlooked or neglected today, the one and two-reel short subjects were useful to the Studios as important training grounds for new or burgeoning talents, both in front & behind the camera. The dynamics for creating a successful short subject was completely different from that of a feature length film, something akin to writing a topnotch short story rather than a novel. Economical to produce in terms of both budget & schedule and capable of portraying a wide range of material, short subjects were the perfect complement to the Studios' feature films.
Madam Cradlebait, Converter of Cannibals, arrives in the jungle in time to be captured by savages and popped into a big black cooking pot. Can the resident Ape Boy save this KID'IN' AFRICA in time?
Short, mildly amusing and thoroughly racist, this little film (which is a spoof of both TRADER HORN & TARZAN) is notable only as one of the early, pre-celebrity movie appearances by Shirley Temple. As ever, she is abundantly talented & cute as a button. The racism, while rather embarrassing, was not at all unusual in Hollywood films of this period.
Often overlooked or neglected today, the one and two-reel short subjects were useful to the Studios as important training grounds for new or burgeoning talents, both in front & behind the camera. The dynamics for creating a successful short subject was completely different from that of a feature length film, something akin to writing a topnotch short story rather than a novel. Economical to produce in terms of both budget & schedule and capable of portraying a wide range of material, short subjects were the perfect complement to the Studios' feature films.
- Ron Oliver
- 30 de abr. de 2002
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