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SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThe career of a waitress takes off when she meets an amiable drunken Hollywood director.The career of a waitress takes off when she meets an amiable drunken Hollywood director.The career of a waitress takes off when she meets an amiable drunken Hollywood director.
- Indicado a 1 Oscar
- 1 indicação no total
George Reed
- Undetermined Secondary Role
- (cenas deletadas)
Alice Adair
- Undetermined Secondary Role
- (não creditado)
Eddie 'Rochester' Anderson
- James - Max's Butler
- (não creditado)
Sam Armstrong
- Undetermined Secondary Role
- (não creditado)
Zeena Baer
- Secretary to Julius Saxe
- (não creditado)
King Baggot
- Department Head
- (não creditado)
Gerald Barry
- John Reed - an Actor
- (não creditado)
Floyd Bell
- Undetermined Secondary Role
- (não creditado)
Veda Buckland
- Nana - Jackie's Nursemaid
- (não creditado)
Nicholas Caruso
- Chef at Brown Derby
- (não creditado)
Lita Chevret
- Actress Filming on Movie Set
- (não creditado)
Enredo
Você sabia?
- CuriosidadesThis film bears such a striking resemblance to Nasce uma Estrela (1937) that it is often considered "the original version" of that often remade classic. In fact, David O. Selznick, who produced both this film and Star is Born, was threatened with a lawsuit by this film's writers, claiming plagiarism.
- Erros de gravaçãoWhen the screen shows a newspaper gossip column, we can see part of an item relating a joke about a Jewish boy and a bird. Several months later, another gossip column shows the identical item.
- Cenas durante ou pós-créditosThere is a "by" credit to Gene Fowler and Rowland Brown after the title shows, but there is also a "screenplay by" credit to Jane Murfin and Ben Markson, without leaving any clear explanation or context as to what "by" actually means. But the reality was that Fowler and Brown wrote the real screenplay, with Murfin and Markson providing the continuity.
- ConexõesFeatured in David O. Selznick: 'Your New Producer' (1935)
- Trilhas sonorasThree Little Words
(1930) (uncredited)
Music by Harry Ruby
Part of a medley played during the opening credits
Avaliação em destaque
Pre-Code insider's look at Hollywood, a precursor to all those STAR IS BORN films.
Constance Bennett is a waitress at Hollywood's famed Brown Derby restaurant specifically for the chance of meeting the right contact to help her break into films. In walks Lowell Sherman, a tipsy but famous director. They take a shine to each other and he wakes up the next morning to find her asleep on his living room couch. He invites her to test for a small part in a film, but she's terrible.
She works all night on her little scene and finally gets it right. Of course she makes a hit and becomes a big star. She's never romantically involved with Sherman, who's more interested in the bottle. She has everything she ever wanted and marries a stuffy rich boy (Neil Hamilton) who never fits in.
Eventually Bennett loses the husband and also loses Sherman as his career slips away because of his drinking. The years go by. One night she gets a call to come get Sherman out of jail where he's been locked up for be drunk and for skipping out on a bar bill. She takes him home and cleans him up, but it's too late.
Hard-hitting story stunned a lot of viewers who wanted to believe that the lives of the Hollywood stars was a bed of roses. Bennett and Sherman are superb. Hamilton is fine as the rich husband. Also good are Gregory Ratoff as the producer and Louise Beavers as the devoted maid.
There were insider Hollywood stories before this. Marion Davies' comedy SHOW PEOPLE showed how fame can go to an actress' head. The following STAR IS BORN films borrowed heavily from this one but the heroines in these (Janet Gaynor, Judy Garland, Barbra Streisand, and the 2018 version) were all married to the tragic figure.
Perhaps a bigger studio than RKO could have secured the Oscar nominations Lowell Sherman and Constance Bennett deserved for this film.
Constance Bennett is a waitress at Hollywood's famed Brown Derby restaurant specifically for the chance of meeting the right contact to help her break into films. In walks Lowell Sherman, a tipsy but famous director. They take a shine to each other and he wakes up the next morning to find her asleep on his living room couch. He invites her to test for a small part in a film, but she's terrible.
She works all night on her little scene and finally gets it right. Of course she makes a hit and becomes a big star. She's never romantically involved with Sherman, who's more interested in the bottle. She has everything she ever wanted and marries a stuffy rich boy (Neil Hamilton) who never fits in.
Eventually Bennett loses the husband and also loses Sherman as his career slips away because of his drinking. The years go by. One night she gets a call to come get Sherman out of jail where he's been locked up for be drunk and for skipping out on a bar bill. She takes him home and cleans him up, but it's too late.
Hard-hitting story stunned a lot of viewers who wanted to believe that the lives of the Hollywood stars was a bed of roses. Bennett and Sherman are superb. Hamilton is fine as the rich husband. Also good are Gregory Ratoff as the producer and Louise Beavers as the devoted maid.
There were insider Hollywood stories before this. Marion Davies' comedy SHOW PEOPLE showed how fame can go to an actress' head. The following STAR IS BORN films borrowed heavily from this one but the heroines in these (Janet Gaynor, Judy Garland, Barbra Streisand, and the 2018 version) were all married to the tragic figure.
Perhaps a bigger studio than RKO could have secured the Oscar nominations Lowell Sherman and Constance Bennett deserved for this film.
- drednm
- 21 de dez. de 2018
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- What Price Hollywood?
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 411.676 (estimativa)
- Tempo de duração1 hora 28 minutos
- Cor
- Proporção
- 1.37 : 1
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