Adicionar um enredo no seu idiomaA prison reformer and a controversial judge fall in love and have a child out of wedlock.A prison reformer and a controversial judge fall in love and have a child out of wedlock.A prison reformer and a controversial judge fall in love and have a child out of wedlock.
J. Carrol Naish
- Dr. Sorelle
- (as J. Carroll Naish)
Rafaela Ottiano
- Mrs. Feldermans
- (as Rafaella Ottiano)
Wally Albright
- Mischa Feldermans
- (não creditado)
Margaret Armstrong
- Miss Jones
- (não creditado)
Irving Bacon
- Waiter
- (não creditado)
May Beatty
- Nurse
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesSome objections were made by the Hays Office concerning the plot of the first draft of the screenplay, where Ann marries Captain Resnick and then has an affair with Barney. The plot was changed to Ann being seduced by the Captain with the offense somehow deemed less if only one of the parties in the adulterous affair is married. No reference is made about any abortion in the trip to Havana, and in the released print the cause of death of Ann's baby girl is never mentioned. RKO applied for an "Approved" certificate in 1935, when the production code was more rigorously enforced, but they were informed that no certificate would be given because of the film's attitude towards adultery.
- Erros de gravaçãoAlthough the first part of the picture takes place in 1918, all of Irene Dunne's hairstyles and clothes are strictly in the 1933 mode, and continue as such through the decade of the 1920s which follows.
- Citações
Barney Dolphin: [last lines]
Matthew Dolphin: Who are you?
Barney Dolphin: Well, son, i refuse to answer without advice of counsel.
- Cenas durante ou pós-créditosThe opening credits are printed in the pages of the novel. They are revealed by a man's hand opening the book and turning the pages.
- Trilhas sonorasSmiles
(1917) (uncredited)
Music by Lee S. Roberts
Lyrics by J. Will Callahan
Played by a band for dance music at the Lorlears Hook Settlement House
Whistled by Sam Hardy
Danced by Sam Hardy and Helen Cromwell and other couples
Avaliação em destaque
ANN VICKERS is a bizarre tear-jerker from the early days of sound movies featuring IRENE DUNNE as a woman who is well-intentioned but makes all the wrong choices in life, including the men she thinks she loves.
BRUCE CABOT is her first mistake, a man proclaiming great love for her but abandoning her not long after she bears his child. In a weak supporting role, she treats CONRAD NAGEL as a man she cannot love but values as a friend. He's not too happy about that arrangement.
Then comes married man WALTER HUSTON, unhappily married who finds Dunne a refreshing bit of love interest. She has a career that keeps her busy and stands by him when he is accused of mismanaging funds. He's soon imprisoned but she finds a way to get his case some political attention and eventually he is free to marry her.
That's about it, all handled in dreary fashion with hardly a note of music on the soundtrack to lift it out of the doldrums when it gets too soggy to bear. As social commentary on conditions in the 1930s and women's issues, it's a failure. Miss Dunne plays a social worker who rises to play an important role in the penal system for females.
IRENE DUNNE suffers nobly, but it's a weak vehicle for a strong actress and she can do nothing to give the film a sense of real life struggles. Chalk this one up as a failure, even if it was based on a novel penned by no less than Sinclair Lewis. Evidently, not too much has been retained from his novel.
Summing up: Not worth your time. Any film that wastes the talents of EDNA MAY OLIVER as a Duchess has got to make you wonder what they were thinking. It's her dullest role ever.
BRUCE CABOT is her first mistake, a man proclaiming great love for her but abandoning her not long after she bears his child. In a weak supporting role, she treats CONRAD NAGEL as a man she cannot love but values as a friend. He's not too happy about that arrangement.
Then comes married man WALTER HUSTON, unhappily married who finds Dunne a refreshing bit of love interest. She has a career that keeps her busy and stands by him when he is accused of mismanaging funds. He's soon imprisoned but she finds a way to get his case some political attention and eventually he is free to marry her.
That's about it, all handled in dreary fashion with hardly a note of music on the soundtrack to lift it out of the doldrums when it gets too soggy to bear. As social commentary on conditions in the 1930s and women's issues, it's a failure. Miss Dunne plays a social worker who rises to play an important role in the penal system for females.
IRENE DUNNE suffers nobly, but it's a weak vehicle for a strong actress and she can do nothing to give the film a sense of real life struggles. Chalk this one up as a failure, even if it was based on a novel penned by no less than Sinclair Lewis. Evidently, not too much has been retained from his novel.
Summing up: Not worth your time. Any film that wastes the talents of EDNA MAY OLIVER as a Duchess has got to make you wonder what they were thinking. It's her dullest role ever.
- Doylenf
- 5 de abr. de 2010
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Sinclair Lewis' Ann Vickers
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 303.000 (estimativa)
- Tempo de duração1 hora 16 minutos
- Cor
- Proporção
- 1.37 : 1
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By what name was Ann Vickers (1933) officially released in Canada in English?
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