O proprietário cético de uma boate protege um antigo amor e seu marido dos nazistas no Marrocos.O proprietário cético de uma boate protege um antigo amor e seu marido dos nazistas no Marrocos.O proprietário cético de uma boate protege um antigo amor e seu marido dos nazistas no Marrocos.
- Ganhou 3 Oscars
- 17 vitórias e 11 indicações no total
S.Z. Sakall
- Carl
- (as S.K. Sakall)
Madeleine Lebeau
- Yvonne
- (as Madeleine LeBeau)
Abdullah Abbas
- Arab
- (não creditado)
Enrique Acosta
- Guest at Rick's
- (não creditado)
Ed Agresti
- Bar Patron
- (não creditado)
Arnet Amos
- French Soldier
- (não creditado)
- …
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
See the complete list of Oscars Best Picture winners, ranked by IMDb ratings.
Enredo
Você sabia?
- CuriosidadesMany of the actors who played the Nazis were in fact European Jews who had fled Nazi occupation.
- Erros de gravação(at around 37 mins) When Rick is getting drunk he ask Sam, "It's December 1941 in Casablanca, what time is it in New York?" After Sam replies, "My watch stopped," he goes on to say, "I'll bet they're asleep in New York. I'll bet they're asleep all over America." However, Rick is not referring to the actual time (noted by giving a month and year rather than a time) and is actually making reference to, in pre-Pearl Harbor America, most Americans are "asleep" when it comes to the war and fighting the Axis powers. This is an intentional attempt at a poetic reference, not a statement of fact.
- Citações
Captain Renault: What in heaven's name brought you to Casablanca?
Rick: My health. I came to Casablanca for the waters.
Captain Renault: The waters? What waters? We're in the desert.
Rick: I was misinformed.
- Versões alternativasAs late as 1974, the references to an extra-marital affair were banned in Ireland. The Irish cut got rid of two important sequences. First, after Ilsa tells Rick that she had left him after finding out that Viktor was still alive, the embraces and dialogue that followed were cut. Second, the emotional dialogue at the end of the film from Ilsa's line "You're saying that only to make me go" to Rick's line "What I've got to do, you haven't any part of". This led to Irish audiences' being bemused by the relationship between Rick and Ilsa, and often interpreting Rick's final speech beginning "I'm no good at being noble" as a reflection on the debilitating effects of war.
- ConexõesEdited into 77 Sunset Strip: The Secret of Adam Cain (1959)
- Trilhas sonorasLa Marseillaise
(1792) (uncredited)
Written by Claude Joseph Rouget de Lisle
Arranged by Max Steiner
Played during the opening credits
Sung by Madeleine Lebeau and others at Rick's
Variations played often in the score
Avaliação em destaque
While there's not anything new to be said about "Casablanca", it's good to see one of the classics still getting some attention. By most standards it is at least very good, and there are good reasons why so many still remember it so fondly. Not everyone who watches it today shares the opinion that it is a classic, but it's still good to see fans of modern movies giving it a try for themselves.
The cast is one of its main strengths, not just Bogart and Bergman but also the fine supporting cast. Rains, Greenstreet, Lorre, and the others are indispensable to the atmosphere and the story, and each has some very good moments. It does have its imperfections, but it was not expected to be a classic or blockbuster - everything you read about the production suggests that it was made in a rather slap-dash fashion, under constraints that would have wrecked most other films. It's not hard to see the little ways that this affected the finished product, such as the times when the plot strains credibility a bit, or the characters seem to behave somewhat oddly. (In particular, it might have been even more satisfying if Bergman's character had been a little stronger - Ilsa is charming, but that's entirely thanks to what Bergman does with her; the character herself as written seems somewhat shallow.)
But it turned out anyway to be an excellent combination of actors, characters, and story, a combination that more than makes up for everything else. Different viewers probably remember and enjoy "Casablanca" for different reasons, because it seemingly has a little of everything. While perhaps not perfect, it is well worth remembering and watching.
The cast is one of its main strengths, not just Bogart and Bergman but also the fine supporting cast. Rains, Greenstreet, Lorre, and the others are indispensable to the atmosphere and the story, and each has some very good moments. It does have its imperfections, but it was not expected to be a classic or blockbuster - everything you read about the production suggests that it was made in a rather slap-dash fashion, under constraints that would have wrecked most other films. It's not hard to see the little ways that this affected the finished product, such as the times when the plot strains credibility a bit, or the characters seem to behave somewhat oddly. (In particular, it might have been even more satisfying if Bergman's character had been a little stronger - Ilsa is charming, but that's entirely thanks to what Bergman does with her; the character herself as written seems somewhat shallow.)
But it turned out anyway to be an excellent combination of actors, characters, and story, a combination that more than makes up for everything else. Different viewers probably remember and enjoy "Casablanca" for different reasons, because it seemingly has a little of everything. While perhaps not perfect, it is well worth remembering and watching.
- Snow Leopard
- 5 de dez. de 2001
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Everybody Comes to Rick's
- Locações de filme
- Waterman Drive, Van Nuys, Los Angeles, Califórnia, EUA(airport runway)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 950.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 4.219.709
- Fim de semana de estreia nos EUA e Canadá
- US$ 181.494
- 12 de abr. de 1992
- Faturamento bruto mundial
- US$ 4.727.083
- Tempo de duração1 hora 42 minutos
- Cor
- Proporção
- 1.37 : 1
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