Adicionar um enredo no seu idiomaTwo titled aristocrats support themselves by being professional house guests in the homes of star-struck American nouveau riche.Two titled aristocrats support themselves by being professional house guests in the homes of star-struck American nouveau riche.Two titled aristocrats support themselves by being professional house guests in the homes of star-struck American nouveau riche.
- Courtroom Spectator
- (não creditado)
- Tearful Courtroom Spectator
- (não creditado)
- McDonough
- (não creditado)
- Opera Singer
- (não confirmado)
- (não creditado)
Enredo
Você sabia?
- CuriosidadesIt was during the making of this film that the head of MGM, Louis B. Mayer personally offered Norma Shearer the title role in Rosa de Esperança (1942) but she turned it down, balking at the notion of playing a mother with a grown son. Shearer opted instead to do a poorly-received remake of Idílio a Muque (1942), which would be her final film before retiring.
- Erros de gravaçãoThe engagement party at the beginning of the film is held the day before the wedding.
- Citações
Hubert Tyler: You're not to blame. Women should be sheltered, Vicki.
Victoria Anastasia 'Vicki' Wilomirska: After all, what can you expect of us? We were brought up to be merely socially attractive. We have no ambition and no talent except for playing games and not enough of that.
Hubert Tyler: If you'd kept your word to me, Vicki, you wouldn't have to invent your assets.
Victoria Anastasia 'Vicki' Wilomirska: I have nothing to regret you with. I chose my life, and I like it.
- ConexõesReferenced in We Must Have Music (1941)
- Trilhas sonorasThe Wedding March
(1843) (uncredited)
from "A Midsummer Night's Dream, Op.61"
Music by Felix Mendelssohn
Whistled by Melvyn Douglas
Played also as part of the score
This is set in the third year of World War II and the first that the U.S. was involved. The idea that two former aristocrats as perpetual traveling house guests might be funny escaped the movie-going public of the time. And these decades later it escapes one for the simple reason that the script is flat. Where is the clever dialog, with the witticisms and the funny lines that Douglas was so excellent at? Where is the subtle, cute and zinger-loaded dialog that Norma Shearer could utter so well?
This film has none of that and very little of anything about it. It struck me as more of a drama and love story. I had to stretch to give this film six stars, and that's solely for the first-rate cast that it has. Beside the two leads, this film is loaded with top supporting actors of the day - Florence Bates, Lee Bowman, Marjorie Main, Alan Mowbray, Reginald Owen and Gail Patrick. Indeed, Marjorie Main's Judge Sidney Hawkes is the only funny role in the film, and the only one that will get some laughs.
With that cast, I doubt that MGM covered its budget. It's $1.7 million box office was near the bottom for the year - at 137th. At least one other reviewer to date called this film "boring." It may well be that to most audiences in modern times. It came close for this film aficionado. The only thing that kept it from slipping that low was the cast of various top supporting characters who kept popping in and out at times.
- SimonJack
- 9 de out. de 2020
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- We Were Dancing
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.085.000 (estimativa)
- Tempo de duração1 hora 35 minutos
- Cor
- Proporção
- 1.37 : 1