A Volta do Vampiro

I watched this Lugosi outing he made at Columbia a second time as well, and I guess I can say that I liked it better now too. The atmosphere really is everything in this one as the film is enveloped in fog and the prowling camera-work is top-notch throughout; despite being clearly a B-movie, the film's production values are more polished than in most of Universal's stuff of this period! Lugosi isn't offered anything new to do here but he is suitably authoritative in his role of Armand Tesla; until he reprised the role of Dracula one last time in ABBOTT & COSTELLO MEET FRANKENSTEIN (1948), this was arguably his best work of the 40s (which I admit isn't saying much). The contributions of the rest of the cast - Frieda Inescort (for once the vampire expert/hunter is a woman!), Miles Mander, Nina Foch and Gilbert Emery - are quite professional as well. Matt Willis is not bad as a man enslaved by Lugosi and turned by him into a werewolf(!) and, even though the character's psychological torment is as palpable as that of Lon Chaney Jr.'s Larry Talbot in the Universal "Wolf Man" saga, the actor is defeated by the shaggy-dog make-up, the fact that he is allowed to speak when transformed(!!) and, well, the very pointlessness of his presence since he never does much at all except serve Lugosi (a task which could easily have been handled by a mere human, who would certainly have aroused a great deal less suspicion than a werewolf)! The climax, while somewhat abrupt, is nicely handled.