Espírito Indomável

The only thing that distinguishes "Back to Bataan" from scores of other routine war films is its historical theme, which remains an uncommon and important one. Few young Americans today have even heard of the Filipino and American disaster at Corregidor and the Bataan Death March that followed, during which numerous sick and hungry prisoners of war were beaten and killed by their Japanese guards. Although the movie accurately portrays the spirit of Filipino resistance to the Japanese, the individual characters from John Wayne down are cut from the usual Hollywood cardboard. Even the real American survivors of Japanese imprisonment, filmed here some months after their liberation during the invasion of the Philippines, are shown, supposedly right after they got out of the Japanese prison camp, freshly shaved and with neatly trimmed hair. Similarly, the guerrilla force led by John Wayne looks little the worse for wear even after two and half years of jungle warfare (whixh seem like about a week in this movie).

The Japanese lynching of the school principal is well handled. The man has not set out to be a hero, but put under the gun, literally, he is simply unable to haul down the American flag. The invaders hang him as an example.

Despite its weaknesses, "Back to Bataan" is still watchable and even enjoyable as a different view of World War II, especially if you're a high-schooler who hasn't yet become too cynical about Hollywood war movies. John Wayne and Anthony Quinn are their usual solid selves, and Beulah Bondi (as a naive but tough American matron)is an unusual asset in this kind of action film.