AVALIAÇÃO DA IMDb
6,6/10
2,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaRecently widowed Sandra Demarest arrives at the isolated home of her late husband for his wake, but his uncle will not allow her to view the corpse.Recently widowed Sandra Demarest arrives at the isolated home of her late husband for his wake, but his uncle will not allow her to view the corpse.Recently widowed Sandra Demarest arrives at the isolated home of her late husband for his wake, but his uncle will not allow her to view the corpse.
Patricia Barry
- Angela
- (as Patricia White)
John Elliott
- Clergyman
- (narração)
- (não creditado)
Lisa Golm
- Mrs. Laidell
- (não creditado)
Creighton Hale
- Dr. Reynolds
- (não creditado)
Jack Mower
- Watkins
- (não creditado)
Paul Panzer
- Gatekeeper
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesThe final of three film collaborations between director Peter Godfrey and Barbara Stanwyck; the others are Indiscrição (1945) and Inspiração Trágica (1947). The pair developed a strong, lasting friendship while working on these films.
- Erros de gravaçãoSandra (Barbara Stanwyck) sets her alarm clock for 3:00 a.m. When the clock downstairs starts to chime at 3:00, Sandra comes downstairs fully dressed while clock is still chiming. There was no time to wake up and dress in that short period of time.
It's possible she could have woken before alarm went off and gotten dressed. It's also possible her bedroom clock's time was several minutes ahead of the downstairs clock, or that she never undressed, or maybe even didn't go to sleep.
- Citações
Mark Caldwell: You know, if I was to bring this battle of the wits down to direct insults, I'd say you were one of the most cold-blooded, scheming women I've ever met in my life!
Sandra Marshall: You've already said that.
- ConexõesFeatured in Hollywood: The Fabulous Era (1962)
Avaliação em destaque
What could have been a great "old dark house" kind of thriller is instead a tepid melodrama hampered by a rambling script with a not-too- believable twist and a weak ending. On the plus side, it gives Barbara Stanwyck a chance to play the kind of feisty woman we like to root for--especially when she's climbing athletically over rooftops and down dumbwaiter chutes in order to get to the roots of a family mystery. Errol Flynn, still handsome in tweed jacket and smoking a pipe, lends distinction to a poorly written role. But in his confrontation scenes with Stanwyck she comes out the winner--full of fire and fury while he remains bland and aloof. Geraldine Brooks excels as Errol's tormented niece who believes her uncle is up to something sinister. A big help is Franz Waxman's strong background music that creates the right note of suspense. Richard Basehart is wasted in a small, poorly written role that gives him no substance at all. Despite all the flaws, an interesting and absorbing mystery to watch on a rainy day if only for the sheer pleasure of watching Stanwyck race around in pursuit of the truth. The solution, as noted before, is a letdown and the ending much too abrupt. Ah well, you can't have everything...
- Doylenf
- 13 de abr. de 2001
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Amargo recelo
- Locações de filme
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- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.461.000 (estimativa)
- Tempo de duração1 hora 23 minutos
- Cor
- Proporção
- 1.37 : 1
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By what name was Mansão da Loucura (1947) officially released in India in English?
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