O Passo do Ódio

Except for two things, it's a fairly routine Scott Western, which means it's still better than most horse operas. First, I'm betting the drought resistant strain of wheat that keeps the farmers on the land is fact-based. Anyway, it's an interesting take on farming for a city boy like me, and is woven effectively into the plot. The second thing is Robert Ryan, one of my favorites. Now, I've seen him as a scary bad guy or a hard-looking good guy in a thousand movies. But I've never seen him as a nice guy until this movie. He's not only good, but nice too, and even gets the girl as a reward. It's Ryan as you've likely never seen him before (It's also early in his career, 1947).

Scott's his usual strong-jawed self, and a persuasive Bat Masterson, while the one-and-only Gabby sports a beard that looks like it's eating his face. And check out the obscure ingénue Madge Meredith's (Susan) bio in IMDb. There's a reason why she's obscure. Then too, the 300-lb. Billy House makes a slimy bad guy and a can't miss six-gun target. I guess my only reservation is with Steve Brodie as the chief baddie. He doesn't have quite the gravitas to be a chief, which is likely why most of his career was as a henchman.

Anyhow, it's a well-stocked horse opera with good action and a nicely worked-out script. For Scott fans, myself included, it's an enjoyable 90-minutes.