A Mulher do Padeiro

In a town where the priest and the teacher argue, where neighbors wrangle because this one's trees as throwing shade on the other's giant cabbages, where no one talks to anyone else for reasons their grandfathers didn't remember, where the last baker hanged himself, there's a new baker in town. It's Raimu, and his bread is magnificent. His wife, pretty Ginette Leclerc promptly runs off with a handsome shepherd. Raimu immediately goes to pieces and the town is split between mocking him, calling her a tramp and worrying about where they'll get bread.

One of the stories about this movie is that Marcel Pagnol wanted Joan Crawford for the role of the baker's wife. She declined on the grounds that she didn't speak French. The other story is that after the war, Orson Welles asked Pagnol for an introduction to Raimu. He was told Raimu was dead and wept. I can understand the reaction. Raimu is so clueless and sad and yet very funny in the role. Any man who has had a woman he loves leave him without any warning can sympathize, even as he looks at Raimu and laughs.

Raimu could fill this movie by himself, yet there are other good roles: the local nobleman who has seven young women living in his chateau; the priest who mouths platitudes without understanding anything; the women who gossip and wrangle among themselves; the old man who has found Mlle Leclerc, but has to tell the story in his own, endless way.

I'd like to have seen Miss Crawford in the role. She would have aced the physical acting, and if she couldn't be coached in the thirty or forty words the character speaks, they could have looped her sides. No one could have replaced Raimu in this magnificent, sad comedy.