Sonho de Moça

A frantic radio producer must find the perfect Little Miss America for an advertiser's national program. He discovers her in his country neighbor, REBECCA OF SUNNYBROOK FARM, an incredibly talented & precocious moppet, who proceeds to charm all around her & bring happiness into the lives of those who love her.

Little Shirley Temple turns in another crowd-pleasing performance in this pleasant family film - which bears almost no resemblance to the Kate Douglas Wiggin classic. It's easy to see why the little tyke was Hollywood's top star for years. Her smile & vivacity are still stunning decades later.

This time Shirley is surrounded by a plethora of male talent: rugged Randolph Scott, giving a slightly wooden performance no doubt caused by the chagrin of playing second fiddle to a ten-year-old; peppy Jack Haley, always eager to please; veteran William Demerest, displaying some of his best pratfalls; laconic comic Slim Summerville, the unlikeliest lover; flustered Franklin Pangborn, as a very nervous organist; and the great Bill `Bojangles' Robinson, given distressingly little to do in his role as a farmhand - until the film's final moments when he gets to shine in a tap routine with Shirley.

Helen Westley is great fun as grumpy Aunt Miranda; lovely Gloria Stuart is given little to do except look, well, lovely.

That's champion character actress Eily Malyon as the Reverend's cake-eating wife. Movie mavens will recognize old Clarence Wilson as a shyster attorney.

Shirley sings `An Old Straw Hat' & `Come And Get Your Happiness', as well as a medley of her past hits.

Query: Why do film makers think radio audiences are thrilled by listening to tap dancing? In films like this you don't ask questions like that.