AVALIAÇÃO DA IMDb
7,0/10
1,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaIn 1936, a young man arrives in Hitler's Germany, frantically seeking information about his missing German mother, and finds she is pending execution at a concentration camp.In 1936, a young man arrives in Hitler's Germany, frantically seeking information about his missing German mother, and finds she is pending execution at a concentration camp.In 1936, a young man arrives in Hitler's Germany, frantically seeking information about his missing German mother, and finds she is pending execution at a concentration camp.
- Prêmios
- 1 vitória no total
Alla Nazimova
- Emmy Ritter
- (as Nazimova)
Edit Angold
- Hilda - Ditten's Housekeeper
- (não creditado)
Walter Bonn
- Concentration Camp Guard
- (não creditado)
Albert D'Arno
- Elevator Operator
- (não creditado)
Helmut Dantine
- Porter
- (não creditado)
Kay Deslys
- Beer Garden Waitress
- (não creditado)
Ernst Deutsch
- Baron von Reiber
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesConrad Veidt won a NBR award for best acting for this movie.
- Erros de gravaçãoWhen Countess Ruby gets up after sitting next to General Kolb while he was playing piano, she picks up her white gloves. But on the next cut, she is now holding her hat which earlier she had placed on the mirror bureau on the other side of the room.
- Citações
Mark Preysing: She knows nothing about international politics, she has the mind of an artist, she sees people as general humanity, not as separate races.
- Cenas durante ou pós-créditosIn the opening credits, the actual book is shown being taken off a library book shelf, turned and its cover shown as the title page.
- ConexõesEdited into Mr. Blabbermouth! (1942)
- Trilhas sonorasLiebestod
(1865) (uncredited)
from "Tristan und Isolde"
Written by Richard Wagner
Played on piano by Conrad Veidt
Played at a concert and as background
Avaliação em destaque
This is another underrated film, probably due to the fact that in those days, the studios just churned them out. It's a shame that today, with fewer films being made, more can't be "churned out" like this one.
A top-notch cast, including Robert Taylor, Nazimova, Conrad Veidt and Norma Shearer do justice to a very good script which at times has you on the edge of your seat.
Robert Taylor plays an American who comes to Germany looking for his mother, a well-known German actress, who married an American and returns to Germany to sell her house. One can really feel his frustration as he frantically tries to find information on her whereabouts.
Finally, he learns that she is in a concentration camp awaiting execution. Along the way, he has met Shearer, an American, who continued to live in Germany after she was widowed and is now seeing a German officer.
The film is heavy on propaganda, as Taylor comes up against citizens afraid to talk and nasty, uncaring Nazis. Even Shearer refuses to help him initially, and an old family friend pretends not to know him.
Taylor does an excellent job as both a desperate man and a loving, tender son. Without giving the story away, he has one magnificent nonverbal moment where it literally looks like the blood has drained from his face.
Shearer is lovely, and Veidt is alternately charming and scary. Nazimova plays Taylor's mother in a strong performance. Though she went outside the studio to get Tyrone Power to costar with her in "Marie Antoinette" rather than use Taylor, both Shearer and Taylor were under contract to MGM and would meet again for Shearer's final film, "Her Cardboard Lover."
Some of the final scenes of "Escape" are very intense. Highly recommended.
A top-notch cast, including Robert Taylor, Nazimova, Conrad Veidt and Norma Shearer do justice to a very good script which at times has you on the edge of your seat.
Robert Taylor plays an American who comes to Germany looking for his mother, a well-known German actress, who married an American and returns to Germany to sell her house. One can really feel his frustration as he frantically tries to find information on her whereabouts.
Finally, he learns that she is in a concentration camp awaiting execution. Along the way, he has met Shearer, an American, who continued to live in Germany after she was widowed and is now seeing a German officer.
The film is heavy on propaganda, as Taylor comes up against citizens afraid to talk and nasty, uncaring Nazis. Even Shearer refuses to help him initially, and an old family friend pretends not to know him.
Taylor does an excellent job as both a desperate man and a loving, tender son. Without giving the story away, he has one magnificent nonverbal moment where it literally looks like the blood has drained from his face.
Shearer is lovely, and Veidt is alternately charming and scary. Nazimova plays Taylor's mother in a strong performance. Though she went outside the studio to get Tyrone Power to costar with her in "Marie Antoinette" rather than use Taylor, both Shearer and Taylor were under contract to MGM and would meet again for Shearer's final film, "Her Cardboard Lover."
Some of the final scenes of "Escape" are very intense. Highly recommended.
- blanche-2
- 4 de fev. de 2001
- Link permanente
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Escape?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 1.205.000 (estimativa)
- Tempo de duração1 hora 44 minutos
- Cor
- Proporção
- 1.37 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente