Após a morte de um magnata na indústria editorial, jornalistas correm para descobrir o significado da última palavra que ele pronunciou.Após a morte de um magnata na indústria editorial, jornalistas correm para descobrir o significado da última palavra que ele pronunciou.Após a morte de um magnata na indústria editorial, jornalistas correm para descobrir o significado da última palavra que ele pronunciou.
- Ganhou 1 Oscar
- 11 vitórias e 13 indicações no total
Enredo
Você sabia?
- CuriosidadesDespite all the publicity, the film was a box-office flop and was quickly consigned to the RKO vaults. At the 1941 Academy Awards, the film was booed every time one of its nine nominations was announced. It was only re-released to the public in the mid-1950s.
- Erros de gravaçãoDuring the picnic scene towards the end, Welles had to shoot against a back-projection because a location shoot was too costly and time-consuming. The stock footage used for the exterior was taken from King Kong (1933), hence on closer inspection the four birds that fly by are in fact very definite pterodactyls. RKO told Welles to take the pterodactyls out of the shot, but he liked them, and decided to keep them.
- Citações
Mr. Bernstein: Old age. It's the only disease, Mr. Thompson, that you don't look forward to being cured of.
- Cenas durante ou pós-créditosIn a very rare move the director's credit is shown on the same card as the cinematographer's. This was Orson Welles's personal decision to show his thanks to cinematographer Gregg Toland for his enormous contributions to the film, meaning equal rights.
- Versões alternativasThe Italian-language version cut an overwhelming number of scenes, leading to "complete" versions of the film to be circa half of the time in English and only the remaining half in Italian.
- ConexõesFeatured in The Projectionist (1970)
- Trilhas sonorasIt Can't Be Love
(uncredited)
Written by Charlie Barnet and Haven Johnson
Arranged by The King Cole Trio
Performed by Raymond Tate, Buddy Collette, Buddy Banks, CeePee Johnson, and Alton Redd
Avaliação em destaque
Citizen Kane is a film with epic characteristics, and was at least 30 years ahead of his time, let's start by spectacular Gregg Toland photography, which for me is one of the top 5 best film photography, all the camera angles, metaphors, editing, close-ups, the use of natural and artificial light, mounts scenarios are something inexplicable (Remember Kane's speech), J. Mankiewicz script is great, using flashbacks (something new in time) and the timeline in your favor, I really can not say if this film was the first film to use these narrative resources, I think not, but it sure was one of the first to use a magnificent way, the soundtrack it is accurate, and the performances are very good, especially the Orson Welles doing a magnificent job, as director and actor, worth a reference scenes "Post credit" which explains that all the actors are new, cool also speak the name the cinematographer Gregg Toland is credited alongside Orson, Citizen Kane marked the history of cinema as we know it, so you go to see the movie today will notice that most of the "things" are very common nowadays and did not understand why the film is so prestigious, but remember that citizen kane invented this pile of "things."
- eagandersongil
- 31 de jul. de 2016
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- El ciudadano Kane
- Locações de filme
- Busch Gardens - S. Grove Avenue, Pasadena, Califórnia, EUA(Xanadu Grounds, demolished)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 839.727 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.627.530
- Faturamento bruto mundial
- US$ 1.707.754
- Tempo de duração1 hora 59 minutos
- Cor
- Proporção
- 1.37 : 1
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