Um casal de idosos viaja para Tóquio para visitar seus filhos, mas encontram indiferença, ingratidão e uma marcada diferença cultural. Quando os idosos voltam para casa, entramos em uma prof... Ler tudoUm casal de idosos viaja para Tóquio para visitar seus filhos, mas encontram indiferença, ingratidão e uma marcada diferença cultural. Quando os idosos voltam para casa, entramos em uma profunda reflexão sobre a mortalidade e a família.Um casal de idosos viaja para Tóquio para visitar seus filhos, mas encontram indiferença, ingratidão e uma marcada diferença cultural. Quando os idosos voltam para casa, entramos em uma profunda reflexão sobre a mortalidade e a família.
- Prêmios
- 3 vitórias
- Rinka no saikun
- (as Toyoko Takahashi)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesThe film is notable for its use of the "tatami-mat" shot, in which the camera height is low and remains largely static throughout.
- Erros de gravação(At around 1hr 45 mins) When the children are visiting their mother at home and leave the room to talk with the father in an adjoining room, just as they sit on the floor, the shadow of the boom-mic can be seen to drop into the scene and back out again, just over the son's head on the top right of the screen. This shadow is well into the frame against the edge of what appears to be a bookshelf and should not be considered a masking mistake of the projectionist.
- Citações
Kyoko: [after the rest of the family had left] I think they should have stayed a bit longer.
Noriko: But they're busy.
Kyoko: They're selfish. Demanding things and leaving like this.
Noriko: They have their own affairs.
Kyoko: But you have yours too. They're selfish.
Noriko: But Kyoko...
Kyoko: Wanting her clothes right after her death. I felt so sorry for poor mother. Even strangers would have been more considerate!
Noriko: But look Kyoko. At your age I thought so too. But children do drift away from their parents. A woman has her own life, apart from her parents, when she becomes Shige's age. She meant no harm I'm sure. They have to look after their own lives.
Kyoko: I wonder: I won't ever be like that. Then what's the point of family?
Noriko: But children become like that, gradually.
Kyoko: Then... you, too?
Noriko: I may become like that in spite of myself.
Kyoko: Isn't life disappointing?
Noriko: Yes, it is.
Since then, i've watched it on DVD, and had to think a lot about why such a simple movie is so powerful, and so many people rate it as one of the greatest ever. And why i find myself agreeing with that rating, i truly think it is in the top 10 ever made - certainly the top 5 of any I've seen. But its hard at first to know why. It doesn't have the greatest script of any movie, there are few things in it that are truly original. The acting is great, but not the greatest ever seen, and the technical qualities are just average. I've come to the conclusion that the reason for its greatness is that it comes closest to pure art in cinema. By pure art, i mean art that in its simplicity but technical genius still reveals deep truths about our lives. When i think about Tokyo Story I don't find myself comparing it to other movies, instead I think of a Rembrandt self portrait, a Vermeer painting, or my favourite short story, 'The Dead' by James Joyce. It is simple, unadorned, and deeply wise. I realise in writing this I'm rapidly approaching pseuds corner, but this is my genuine conclusion (writing as someone who is shamefully uneducated in most of the arts).
Of course there have been many great movies about families, about growing old, about the nature of life.... but I think somehow Ozu achieved a sort of perfection with Tokyo Story. Thats why its the only movie I would give a '10' to.
- GyatsoLa
- 7 de abr. de 2007
- Link permanente
Principais escolhas
- How long is Tokyo Story?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 92.310
- Tempo de duração2 horas 17 minutos
- Cor
- Mixagem de som
- Proporção
- 1.37 : 1