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6,1/10
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SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn American journalist returns to Paris - a city that gave him true love and deep grief.An American journalist returns to Paris - a city that gave him true love and deep grief.An American journalist returns to Paris - a city that gave him true love and deep grief.
Odette Myrtil
- Singer
- (as Odette)
Jacqueline Allen
- Background Singer
- (não creditado)
Don Anderson
- Party Guest
- (não creditado)
Max Barwyn
- German Man
- (não creditado)
Hal Bell
- Cafe Patron
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesBecause of an error with the Roman numerals in the copyright notice on the prints, this movie was legally copyrighted in 1944, not 1954. The copyright was not renewed by MGM as it expired ten years earlier than the copyright office records indicated (in eighteen years versus twenty-eight years). At this time it was the copyright notice and date on the film prints that counted legally, so this movie entered the public domain in 1972.
- Erros de gravaçãoIn the title screen at the beginning of the the movie it says "COPYRIGHT MCMXLIV IN U.S.A.", which in roman numbers is 1944, but the film was released in 1954, in roman numbers would be MCMLIV.
- Citações
Helen Ellswirth: Do you mind if Paul takes me home?
Charles Wills: Paul who?
Helen Ellswirth: Paul anybody. Party like this, must be at least 6 or 7 Pauls
- ConexõesEdited into O Extraordinário Marinheiro (1969)
- Trilhas sonorasThe Last Time I Saw Paris
Music by Jerome Kern
Lyrics by Oscar Hammerstein II
Performed by Odette Myrtil
Avaliação em destaque
The Last Time I Saw Paris was the second of two films that Elizabeth Taylor and Van Johnson co-starred. What a difference in four years from The Big Hangover where Johnson was billed ahead of Taylor.
Which is odd in this case because the film is really about Johnson. It's based on F. Scott Fitzgerald's story, Babylon Revisited which takes place in Paris after World War I. MGM apparently thinking that the audience would be more amenable to a story taking place after World War II, so the plot was updated for France of the Fourth Republic.
It doesn't quite work though, France of that era was a whole lot different than France of the Roaring Twenties. They partied then also when Paris was liberated and the Germans chased out of their country, but on the whole it was a time for more sober reflection of what France's role in the post war world would be. The Roaring Twenties that Fitzgerald wrote about were not the Roaring Forties.
Van Johnson is a GI who comes upon a family of expatriates who lived in Paris right through the occupation. Walter Pidgeon and his two daughters, Donna Reed and Elizabeth Taylor. They both are interested, but Johnson has eyes only for Liz. And the film is their story.
It's a tragic story, you can see Fitzgerald himself in Van Johnson, the would be writer who becomes a dissolute playboy. Partying right along with him is Taylor who is the image of Fitzgerald's party girl wife Zelda.
MGM did this one on the cheap. There are some shots of Paris, but on the whole the Paris you see is the Paris that was created by the studio for their classic musical An American in Paris. View the films side by side and you'll have no doubt.
Look for Eva Gabor as a divorcée who likes Johnson and a very young Roger Moore as a tennis pro who'd like to be a kept man by Taylor.
It's a nice story, but it could have been a whole lot better if MGM had actually shot the film in Paris completely and really set in the period it was written.
Which is odd in this case because the film is really about Johnson. It's based on F. Scott Fitzgerald's story, Babylon Revisited which takes place in Paris after World War I. MGM apparently thinking that the audience would be more amenable to a story taking place after World War II, so the plot was updated for France of the Fourth Republic.
It doesn't quite work though, France of that era was a whole lot different than France of the Roaring Twenties. They partied then also when Paris was liberated and the Germans chased out of their country, but on the whole it was a time for more sober reflection of what France's role in the post war world would be. The Roaring Twenties that Fitzgerald wrote about were not the Roaring Forties.
Van Johnson is a GI who comes upon a family of expatriates who lived in Paris right through the occupation. Walter Pidgeon and his two daughters, Donna Reed and Elizabeth Taylor. They both are interested, but Johnson has eyes only for Liz. And the film is their story.
It's a tragic story, you can see Fitzgerald himself in Van Johnson, the would be writer who becomes a dissolute playboy. Partying right along with him is Taylor who is the image of Fitzgerald's party girl wife Zelda.
MGM did this one on the cheap. There are some shots of Paris, but on the whole the Paris you see is the Paris that was created by the studio for their classic musical An American in Paris. View the films side by side and you'll have no doubt.
Look for Eva Gabor as a divorcée who likes Johnson and a very young Roger Moore as a tennis pro who'd like to be a kept man by Taylor.
It's a nice story, but it could have been a whole lot better if MGM had actually shot the film in Paris completely and really set in the period it was written.
- bkoganbing
- 22 de mai. de 2007
- Link permanente
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Detalhes
Bilheteria
- Orçamento
- US$ 1.960.000 (estimativa)
- Faturamento bruto mundial
- US$ 14.603
- Tempo de duração1 hora 56 minutos
- Cor
- Proporção
- 1.75 : 1
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By what name was A Última Vez que Vi Paris (1954) officially released in India in English?
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