Adicionar um enredo no seu idiomaIn Weimar-era Berlin, an aspiring writer strikes up a friendship with a vivacious, penniless singer.In Weimar-era Berlin, an aspiring writer strikes up a friendship with a vivacious, penniless singer.In Weimar-era Berlin, an aspiring writer strikes up a friendship with a vivacious, penniless singer.
- Indicado para 1 prêmio BAFTA
- 1 indicação no total
William Adams
- Old Doctor
- (não creditado)
Ian Ainsley
- Minor Role
- (não creditado)
Charles Andre
- Waiter
- (não creditado)
Julia Arnall
- Model
- (não creditado)
Jack Arrow
- Troika Doorman
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesDespite being far less salacious than the 1951 stage play on which it was based, this film adaptation received a "Condemned" rating from the Legion of Decency, a Roman Catholic organization that passed moral judgments on films between 1933 and 1965. This rating was also given to Psicose (1960), Quanto Mais Quente Melhor (1959) and Acossado (1960).
- Erros de gravaçãoWhilst most of the film is a flashback set in the early 1930s, all the costumes and hairstyles worn are straight out of the early 1950s.
- Citações
Christopher Isherwood: [to Sally] Any mess you get into, you try and get out of by using your extremely inadequate sex appeal.
- Cenas durante ou pós-créditosIn opening credits, Shelley Winters is misspelled "Shelly".
- ConexõesFeatured in Omnibus: Christopher Isherwood: A Born Foreigner (1969)
- Trilhas sonorasI Saw Him in a Café in Berlin
(uncredited)
Music by Ralph Maria Siegel
English lyrics by Paul Dehn
Sung by Liselotte Malkowsky
[Sally (Julie Harris) sings the song in her club act]
Avaliação em destaque
This British film version of the stage play I AM A CAMERA is based on Christopher Isherwood's "Berlin Stories." This is the source material for the famous musical CABARET.
Julie Harris, a major stage actress of her day, reprises her 1951 Tony Award winning role as Sally Bowles. She's a far cry from the Liza Minnelli character but the basic "Sally" is all here despite the various film codes that would have blocked this story from being filmed in Hollywood. Harris is perhaps stagy but she's also quite good as the madcap and maddening Sally. Her singing number is obviously dubbed (by Marlene Dietrich no less) although Harris apparently sings for herself in other moments.
Laurence Harvey (with the very ugly hair) plays Isherwood with zero charm and can't even make the character interesting. Shelley Winters does little with the role of Natalia (Marian Winters won a supporting Tony for the play), and Anton Diffring is OK as Fritz. Ron Randell plays the caddish Clive but seems a tad loud. Lee Seidl is funny as the landlady.
Yet despite the overall staginess and cheap look, Harris takes center stage and she is amazing. This film was released the same year as EAST OF EDEN in which Harris gives a glowing performance as Abra. Comparing the two performances gives a good look at the talent Miss Harris possesses. These two characters couldn't be more unalike. Harris' Sally preens and prances about and growls out a very lascivious laugh. She also acts circles around the boring Harvey.
Without the music and with a familiar storyline, many viewers may find little here to recommend this film, but it's a great chance to see the great Julie Harris repeating what was probably a very shocking role in 1951.
Julie Harris, a major stage actress of her day, reprises her 1951 Tony Award winning role as Sally Bowles. She's a far cry from the Liza Minnelli character but the basic "Sally" is all here despite the various film codes that would have blocked this story from being filmed in Hollywood. Harris is perhaps stagy but she's also quite good as the madcap and maddening Sally. Her singing number is obviously dubbed (by Marlene Dietrich no less) although Harris apparently sings for herself in other moments.
Laurence Harvey (with the very ugly hair) plays Isherwood with zero charm and can't even make the character interesting. Shelley Winters does little with the role of Natalia (Marian Winters won a supporting Tony for the play), and Anton Diffring is OK as Fritz. Ron Randell plays the caddish Clive but seems a tad loud. Lee Seidl is funny as the landlady.
Yet despite the overall staginess and cheap look, Harris takes center stage and she is amazing. This film was released the same year as EAST OF EDEN in which Harris gives a glowing performance as Abra. Comparing the two performances gives a good look at the talent Miss Harris possesses. These two characters couldn't be more unalike. Harris' Sally preens and prances about and growls out a very lascivious laugh. She also acts circles around the boring Harvey.
Without the music and with a familiar storyline, many viewers may find little here to recommend this film, but it's a great chance to see the great Julie Harris repeating what was probably a very shocking role in 1951.
- drednm
- 10 de ago. de 2008
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- How long is I Am a Camera?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 38 minutos
- Cor
- Proporção
- 1.37 : 1
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By what name was I Am a Camera (1955) officially released in India in English?
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