AVALIAÇÃO DA IMDb
7,3/10
13 mil
SUA AVALIAÇÃO
Um drogado precisa de encontrar-se consigo mesmo para sair do seu inferno.Um drogado precisa de encontrar-se consigo mesmo para sair do seu inferno.Um drogado precisa de encontrar-se consigo mesmo para sair do seu inferno.
- Indicado a 3 Oscars
- 2 vitórias e 8 indicações no total
Jered Barclay
- Junkie in Lock-Up
- (não creditado)
Leonard Bremen
- Cabbie in Lock-Up
- (não creditado)
Paul E. Burns
- Suspenders in Lock-Up
- (não creditado)
Pete Candoli
- Jazz Musician
- (não creditado)
Herschel Graham
- Club Safari Patron
- (não creditado)
Harold 'Tommy' Hart
- Officer Kvorka
- (não creditado)
Enredo
Você sabia?
- CuriosidadesFrank Sinatra jumped at a chance to star in the film before reading the entire script.
- Erros de gravaçãoIn a scene about twenty minutes in, as the camera exits the bar following Frankie, the jukebox can be seen to slide out of the way of the camera at the bottom of the screen.
- ConexõesEdited into Bass on Titles (1982)
Avaliação em destaque
I loved that this movie takes place on an imaginary block of an imaginary city. You could say the streets represents a state of mind just like the title of
Chinatown did two decades later. Here degeneracy and addiction are the
norm. This place sucks you in and wont let go. It's here that Sinatra must face his demons when he returns home after getting clean at a rehab clinic. The film ends up being just as much about moving on from the past as it does about drug addiction.
Sinatra's junky is a bit amorphous, we never really learn whether he grew up here or what led him to his addictions. However, the story is strong and told with a nice brisk pace. There are some real memorable moments (the Gambling
sequence, Frankie coming off smack, etc). Preminger's direction is great, some subtle camera work adds a lot to a number of scenes. Elmer Berstein's score
and Saul Bass' titles perfectly set the mood. Overall, an endearing film you should check out.
Chinatown did two decades later. Here degeneracy and addiction are the
norm. This place sucks you in and wont let go. It's here that Sinatra must face his demons when he returns home after getting clean at a rehab clinic. The film ends up being just as much about moving on from the past as it does about drug addiction.
Sinatra's junky is a bit amorphous, we never really learn whether he grew up here or what led him to his addictions. However, the story is strong and told with a nice brisk pace. There are some real memorable moments (the Gambling
sequence, Frankie coming off smack, etc). Preminger's direction is great, some subtle camera work adds a lot to a number of scenes. Elmer Berstein's score
and Saul Bass' titles perfectly set the mood. Overall, an endearing film you should check out.
- bennygillespie
- 13 de set. de 2004
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- The Man with the Golden Arm
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 4.652
- Tempo de duração1 hora 59 minutos
- Cor
- Proporção
- 1.85 : 1
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By what name was O Homem do Braço de Ouro (1955) officially released in India in English?
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