Adicionar um enredo no seu idiomaA lonely middle-aged woman meets a younger man, but their relationship is threatened after the man's troubled past reveals itself.A lonely middle-aged woman meets a younger man, but their relationship is threatened after the man's troubled past reveals itself.A lonely middle-aged woman meets a younger man, but their relationship is threatened after the man's troubled past reveals itself.
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- CuriosidadesIn an interview for a much later documentary on Joan Crawford, Cliff Robertson recounts his first meeting with her, at her house. Already somewhat intimidated by working with the legendary Crawford, he is let in, then hears her call from poolside, where she's sunning, "Come on out, dear boy. We've been waiting for you." Robertson has nothing but admiration for Crawford's talent and incredible technical discipline. At one point, Director Robert Aldrich wanted Crawford to cry, but only slightly - a tear or two. "Which eye?" Robertson recalls Crawford asking. Then repeats the anecdote, amazed, "'Which EYE?'"
- Citações
Virginia: Sure, he should be committed!
Milly: Of course, you'd want me to commit him, get him out of your life, put him away permanently someplace where he can never again remind either one of you of your horrible guilt; how you and you had committed the ugliest of all possible sins, so ugly that it drove him into the state he's in now!
Mr. Hanson: What kind of a woman are you to be satisfied with only half a man? There must be so...
Milly: Even when he doesn't know what he's doing, he's a saner man than you are! He's decent and proud. Can you say the same for yourselves? Where's your decency? In what garbage dump, Mr. Hanson? And where's yours, you tramp?
Mr. Hanson: I don't have to listen to that!
Virginia: She's the one who's crazy!
Mr. Hanson: She has to be crazy to put up with that weakling!
Milly: You, his loving, doting fraud of a father! And you, you SLUT! You're both so consumed with evil, so ROTTEN! Your filthy souls are too evil for Hell itself!
- Cenas durante ou pós-créditosOpening credits are shown over a background of...... leaves.
- ConexõesFeatured in Joan Crawford: Always the Star (1996)
- Trilhas sonorasAutumn Leaves
(Les Feuilles Mortes)
Music by Joseph Kosma
French lyrics by Jacques Prévert
English lyrics by Johnny Mercer
Performed by Nat 'King' Cole
Cliff's needs are much bigger than her's however. For all his surface charm, the man has some deep issues. Part of which is that he's grown up without a mother another part of which his father Lorne Greene did him one terrible hurt.
The film was Cliff Robertson's breakout role and he does a fine job, running the whole emotional alphabet from the charming and shallow young man who overcompensates a lot to his mental breakdown with Crawford which is terrifying. Crawford gets one of her best late career roles as well. Not much is said about her mental state, but the way she interprets the part, Joan's needs are as much maternal as romantic and Robertson seems to fill the bill.
For those of you who expect to see wise and patriarchal Ben Cartwright, that is not the Lorne Greene you see here. In fact before being cast in Bonanza, Greene played a nice variety of nasty people in such films as The Buccaneer, Tight Spot, and this one. Vera Miles is also here as Robertson's ex-wife and a piece of work herself.
Robert Aldrich does a good job with Joan Crawford and the rest of the cast. But the film really belongs to Cliff Robertson, after this performance, his career was assured.
- bkoganbing
- 16 de dez. de 2008
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- Tempo de duração1 hora 47 minutos
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- 1.85 : 1