Um casal tem o seu filho sequestrado após um agente secreto lhes contar, ao morrer, um plano contra um importante diplomata. Em Londres, ao mesmo tempo que tentam recuperar o seu filho, tent... Ler tudoUm casal tem o seu filho sequestrado após um agente secreto lhes contar, ao morrer, um plano contra um importante diplomata. Em Londres, ao mesmo tempo que tentam recuperar o seu filho, tentam prevenir as autoridades e impedir o plano.Um casal tem o seu filho sequestrado após um agente secreto lhes contar, ao morrer, um plano contra um importante diplomata. Em Londres, ao mesmo tempo que tentam recuperar o seu filho, tentam prevenir as autoridades e impedir o plano.
- Ganhou 1 Oscar
- 3 vitórias e 4 indicações no total
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- CuriosidadesThroughout the filming, Doris Day became increasingly concerned that Sir Alfred Hitchcock paid more attention to camera set-ups, lighting, and technical matters than he did to her performance. Convinced that he was displeased with her work, she finally confronted him. His reply was, "My dear Miss Day, if you weren't giving me what I wanted, then I would have to direct you!"
- Erros de gravaçãoWhen Hank is being taken by his kidnappers from the chapel to the embassy, the group gets in a left-hand drive large 1953 Humber Mark IV Super Snipe on a Hollywood sound stage. The pretend driver enters on the right, but the supposed front seat passenger can be seen releasing the handbrake, and holding the steering wheel. The car's exhaust sound also does not match the Humber. In the second scene later, the same car enters the embassy rear gate, also on a Hollywood sound stage, and the car can be seen as having red seats. In the next cut, the car pulls up at the rear of the embassy, and Hank and the kidnappers exit. The car has now become a smaller and earlier 1951 Humber Mark IV Hawk, with tan seats, filmed on location in London, although both cars show the same registration number.
- Citações
[last lines]
Dr. Ben McKenna: Sorry we were gone so long, but we had to pick up Hank!
- Cenas durante ou pós-créditosOpening credits prologue: A single crash of Cymbals and how it rocked the lives of an American family.
- Versões alternativasThe original film opened with the Paramount logo followed by their patented wide-screen process, Vista Vision. In the 1980s, Universal reissued the film with their logo, and dropped the reference to Vista Vision. The Blu-Ray edition retains the Paramount/Vista Vision logos at the start, but carries the '80s Universal logo at the end.
- ConexõesEdited into Histoire(s) du cinéma: Le contrôle de l'univers (1999)
- Trilhas sonorasStorm Cloud Cantata
(1934)
by Arthur Benjamin and D.B. Wyndham-Lewis
Performed by London Symphony Orchestra
Conducted by Bernard Herrmann
Orchestrated by Bernard Herrmann (uncredited)
Covent Garden Chorus and Barbara Howitt, soloist
While Doris usually gets all the acting praise from this movie, it's probably because everyone expects James Stewart to be great in a Hitchcock film. But let's not forget he was the other actor in that difficult scene, watching and deciding how to help his wife. He's wonderful in this movie, but if you know and love him like the rest of the country, it's not really a surprise.
The Man Who Knew Too Much isn't the most famous Alfred Hitchcock movie out there, but it's absolutely worth watching. It has Doris's quintessential song "Que Sera Sera" and she also credits it with spawning her lifelong devotion to animals. Plus, it's pretty suspenseful, a necessity in a Hitchcock movie. There are exotic locations, good-looking leading actors, murder, and intrigue. What else do you want?
- HotToastyRag
- 3 de fev. de 2018
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- Também conhecido como
- The Man Who Knew Too Much
- Locações de filme
- Djemaa el Fna, Marrakech, Marrocos(Marrakech main square)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 2.500.000 (estimativa)
- Faturamento bruto mundial
- US$ 10.190
- Tempo de duração2 horas
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1