Adicionar um enredo no seu idiomaA Coast Guardsman suffering from Post-Traumatic Stress Disorder becomes involved with a beautiful and enigmatic seductress married to a blind painter.A Coast Guardsman suffering from Post-Traumatic Stress Disorder becomes involved with a beautiful and enigmatic seductress married to a blind painter.A Coast Guardsman suffering from Post-Traumatic Stress Disorder becomes involved with a beautiful and enigmatic seductress married to a blind painter.
- Kirk
- (as Glenn Vernon)
- Coast Guardsman
- (não creditado)
- Lenny
- (não creditado)
- Girl at Party
- (não creditado)
- Young Fisherman
- (não creditado)
- Girl at Party
- (não creditado)
- Nurse Jennings
- (não creditado)
- Girl at Party
- (não creditado)
- Old Workman
- (não creditado)
- Old Fisherman
- (não creditado)
Enredo
Você sabia?
- CuriosidadesThe last film that Jean Renoir directed in Hollywood, and a very painful experience for him as it was severely compromised.
- Erros de gravaçãoWhen Robert Ryan's character rides up to the shipwreck on the beach, his foul weather jacket has a US Navy emblem on the left breast. He's in the Coast Guard, not the Navy. After he dismounts, the emblem is gone.
- Citações
Tod: Peggy, did it ever occur to you that to me you'll always be young and beautiful? No matter how old you grow - I'll always remember you as you were the last day I saw you - young, beautiful, bright, exciting. No one who can see can say that to you. - - Peg, you're so beautiful... so beautiful outside, so rotten inside.
Peggy: You're no angel.
Tod: No. I guess we're two of a kind.
- Cenas durante ou pós-créditosDuring the opening credits, the waves wash away one set of names before the next set is displayed.
- ConexõesFeatured in Val Lewton: The Man in the Shadows (2007)
I've seen the film three times now and I'm still trying to figure out what exactly happened to Ryan in his career during the war (Navy? Coast Guard? As a previous reviewer here suggested, it's weirdly unclear what Ryan's duties were before and after the war) and what is supposed to be wrong with him.
The secondary characters seem to have wandered into the noirish landscape from a Ma and Pa Kettle film and frankly I'm not all that surprised that Ryan seems ambivalent about marrying good girl, Nan Leslie. Renoir doesn't seem to have known just what genre of a film he was making. We go from the woman's film to film noir to hokey comedy and back again. Irene Ryan is wildly out of place and her performance is over the top in the worst kind of way.
But the gems in this film are Bennett and Bickford. Their characters' seamy, violent, sado-masochistic relationship is riveting and you can't help but wish that Renoir had spent more time focusing on it and less on the antics of the Wernecke brood. Joan Bennett usually needed good material (`Scarlet Street', `The Reckless Moment', `The Woman in the Window') to shine, but she does quite well here, particularly in her scenes with Bickford. There's also a wonderful moment where Ryan is beginning to realize that she isn't quite the put-upon little woman he thought she was. Her reaction is worth suffering through scenes about chocolate cake and the decorations at the coast guard station.
Charles Bickford is fabulous as the blinded, bitter and jealous artist, easily outshining the usually excellent Robert Ryan, who appears merely dazed and confused. This was the film that got me interested in Bickford's career. I've yet to find the movie where he isn't excellent.
- mlzafron
- 16 de fev. de 2001
- Link permanente
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- How long is The Woman on the Beach?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- A Mulher Desejada
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 11 minutos
- Cor
- Proporção
- 1.37 : 1