AVALIAÇÃO DA IMDb
7,0/10
3,4 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA covert FBI agent infiltrates a ruthless gangster mob, but his life is at risk from a mysterious informant who funnels inside information to the hoodlums.A covert FBI agent infiltrates a ruthless gangster mob, but his life is at risk from a mysterious informant who funnels inside information to the hoodlums.A covert FBI agent infiltrates a ruthless gangster mob, but his life is at risk from a mysterious informant who funnels inside information to the hoodlums.
- Prêmios
- 1 indicação no total
Larry Anzalone
- Sparring Partner
- (não creditado)
George Barrows
- Bouncer at Gym
- (não creditado)
Joan Blair
- Valentine Laval
- (não creditado)
James J. Casino
- Cornerman
- (não creditado)
Lane Chandler
- Policeman at Arcade
- (não creditado)
Dick Cherney
- Man at Gym
- (não creditado)
Noble 'Kid' Chissell
- Prisoner
- (não creditado)
Edmund Cobb
- Desk Sergeant
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesThe chase inside the ferry terminal was filmed in the San Pedro Municipal Ferry Terminal in Los Angeles. The building now houses the Los Angeles Maritime Museum.
- Erros de gravaçãoThe wall behind Ed Begley during the Danker interrogation changes from brightly lit to sharply defined shadows of prison bars and back to brightly lit again.
- Citações
Alec Stiles: I haven't seen you around lately.
Gene Cordell: [as George Manly] I've been away.
Alec Stiles: Is that right?
Gene Cordell: Weekend in the country.
Alec Stiles: Courtesy of the city?
Gene Cordell: Something like that.
- ConexõesFeatured in Los Angeles Por Ela Mesma (2003)
- Trilhas sonorasBeg Your Pardon
(uncredited)
Written by Francis Craig and Beasley Smith
Performed by Marion Marshall during the opening stick-up
Avaliação em destaque
J. Edgar Hoover, it now seems, was a mediocre crimefighter but a master orchestrator of his own publicity (and only secondarily that of the FBI). The Street With No Name stands as one of the better films dedicated to kissing his assiduously cultivated legend. Most directors assigned these tasks in the noir cycle wrote off such idolatry as a cost of doing business, clearing it away quickly so as to get on with their moviemaking; William Keighley follows this sensible agenda.
FBI agent Mark Stevens goes undercover to infiltrate the mob in that cesspool of crime, Center City, USA. In the boxing ring, he attracts the attention, slightly open to inference, of boss Richard Widmark, a dapper ("I like my boys to look sharp") cutthroat with a morbid fear of drafts and sneezes. With the aid of confederate John McIntyre, Stevens reports the gang's plans back to the FBI. Alas, a high-placed informant in the police department reports the FBI's plans back to Widmark.
So the movie boils down to the agent-in-peril story. Keighley tells it cleanly and briskly, eschewing the complexities (both visual and moral) of Anthony Mann's T-Men, released just a few months earlier. It's strongest in the feel for Center City's raffish tenderloin, with its fleabag hotels, pool halls and walk-up gyms. Stevens, McIntyre and Lloyd Nolan (as Stevens' superior) give workmanlike jobs with the rather staid roles scriptwriter Harry Kleiner supplies. His few-frills approach reins in Widmark, too, who's always better when he's unfettered and shooting over the top.
The Street With No Name suffers a bit from staying so resolutely all-guy; thus Barbara Lawrence suffers, too, in an underwritten and inconsequential part as Widmark's abused moll. A little more cool yin might have balanced out all that hot, hard yang.
NOTE: In 1955, Samuel Fuller remade -- and rethought -- this movie, using the same screenwriter and cinematographer (Joe MacDonald, now working in color) as House of Bamboo, set in postwar Tokyo.
FBI agent Mark Stevens goes undercover to infiltrate the mob in that cesspool of crime, Center City, USA. In the boxing ring, he attracts the attention, slightly open to inference, of boss Richard Widmark, a dapper ("I like my boys to look sharp") cutthroat with a morbid fear of drafts and sneezes. With the aid of confederate John McIntyre, Stevens reports the gang's plans back to the FBI. Alas, a high-placed informant in the police department reports the FBI's plans back to Widmark.
So the movie boils down to the agent-in-peril story. Keighley tells it cleanly and briskly, eschewing the complexities (both visual and moral) of Anthony Mann's T-Men, released just a few months earlier. It's strongest in the feel for Center City's raffish tenderloin, with its fleabag hotels, pool halls and walk-up gyms. Stevens, McIntyre and Lloyd Nolan (as Stevens' superior) give workmanlike jobs with the rather staid roles scriptwriter Harry Kleiner supplies. His few-frills approach reins in Widmark, too, who's always better when he's unfettered and shooting over the top.
The Street With No Name suffers a bit from staying so resolutely all-guy; thus Barbara Lawrence suffers, too, in an underwritten and inconsequential part as Widmark's abused moll. A little more cool yin might have balanced out all that hot, hard yang.
NOTE: In 1955, Samuel Fuller remade -- and rethought -- this movie, using the same screenwriter and cinematographer (Joe MacDonald, now working in color) as House of Bamboo, set in postwar Tokyo.
- bmacv
- 18 de fev. de 2002
- Link permanente
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- How long is The Street with No Name?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- The Street with No Name
- Locações de filme
- Municipal Ferry, San Pedro, Califórnia, EUA(As Center City: George Manly walks down street and is tailed to ferry.)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 31 minutos
- Cor
- Proporção
- 1.33 : 1
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By what name was A Rua Sem Nome (1948) officially released in India in English?
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