Cidade Negra

Dark City is likely most notable as being Chuck Heston's film debut. But it's also worth seeing for then-supporting actor Jack Webb (actually quite good) teaming with Harry Morgan, some 16 years before they'd pair up in the color reincarnation of Dragnet 1966. It's also significant in the script acknowledging the ugly possibilities of returning to post-WWII society (albeit without the impact of the vaguely similar theme of 1932's I Am A Fugitive Of a Chain Gain and WWI, or the more recent The Best Years of Our Lives). With the talent involved I'd expected a noir classic... but Dark City solidly misses the mark. What's wrong? I can name 3 things: The subplot involving grieving widow Viveca Lindfors is all wrong and slows the picture down to a crawl (and frankly it makes Heston look creepy in the pursuit of her--- without giving away why). The suspense of the mystery homicidally-inclined brother just isn't there. And I personally hated the lip sync'd intrusion of Lizbeth Scott's songs (I found myself saying "why weren't these whittled down in the editing room?"). Director William Dieterle's career was inexplicably on a slide by 1950 and his work here could best be described as yeoman-like. There's absolutely nothing wrong with any of the performances... it's just the script needed about 20 pages tossed and the musical numbers axed.