Adicionar um enredo no seu idiomaAn assassin uses the remote-controlled monster created by a mad scientist to kill his enemies.An assassin uses the remote-controlled monster created by a mad scientist to kill his enemies.An assassin uses the remote-controlled monster created by a mad scientist to kill his enemies.
Fotos
Pedro D'Aguillón
- Vidal
- (as Pedro d'Aguillón)
Armando Gutiérrez
- Custodio de prisión
- (não creditado)
Leonor Gómez
- Observadora
- (não creditado)
Chel López
- Ayudante de Gastón
- (não creditado)
Roger López
- Hermano de Gastón
- (não creditado)
José Pardavé
- Velador de Teatro
- (não creditado)
Enredo
Você sabia?
- CuriosidadesTo avoid Mexican union regulations, title cards divide the film in four parts, as if it were a four part serial.
- ConexõesReferenced in Herschell Gordon Lewis: The Godfather of Gore (2010)
Avaliação em destaque
THE HELL OF FRANKENSTEIN (1960, original title Orlak, el infierno de Frankenstein) is a Mexican potboiler whose main character is Jaime, a criminal who is released from prison at the film's outset. He busts Dr. Frankenstein from the clink and aides him in the creation of a new man with the aide of a horrifically-scarred assistant desperate for a new face. Soon, the box-headed monstrosity has a metal skeleton a la Wolverine and is busy taking down rivals and committing acts of larceny and murder...
Like many low budget Mexican features of this era, this is a cheap and cheerful effort, and very slow for the most part which stops it being hugely entertaining. It turns into a doppelganger movie halfway through, giving the antagonist a perfect alibi for the many crimes that take place, and is more thriller than sci-fi or horror. Some of the staging and characters favourably recall the Universal greats, and it does pick up for a traditional rooftop chase climax that doesn't disappoint, but overall this is one for hardcore fans only.
Like many low budget Mexican features of this era, this is a cheap and cheerful effort, and very slow for the most part which stops it being hugely entertaining. It turns into a doppelganger movie halfway through, giving the antagonist a perfect alibi for the many crimes that take place, and is more thriller than sci-fi or horror. Some of the staging and characters favourably recall the Universal greats, and it does pick up for a traditional rooftop chase climax that doesn't disappoint, but overall this is one for hardcore fans only.
- Leofwine_draca
- 14 de dez. de 2022
- Link permanente
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Tempo de duração1 hora 43 minutos
- Cor
- Mixagem de som
- Proporção
- 1.33 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
By what name was Orlak, el infierno de Frankenstein (1960) officially released in Canada in English?
Responda