Um ex-prisioneiro de guerra sofre uma lavagem cerebral para se tornar um assassino à serviço de uma conspiração comunista internacional.Um ex-prisioneiro de guerra sofre uma lavagem cerebral para se tornar um assassino à serviço de uma conspiração comunista internacional.Um ex-prisioneiro de guerra sofre uma lavagem cerebral para se tornar um assassino à serviço de uma conspiração comunista internacional.
- Indicado a 2 Oscars
- 6 vitórias e 9 indicações no total
Joe Adams
- Psychiatrist
- (não creditado)
Alyce Allen
- Woman
- (não creditado)
Benjie Bancroft
- Chauffeur
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesFrank Sinatra broke the little finger of his right hand on the desk in the fight sequence with Henry Silva. Due to on-going filming commitments, he could not rest or bandage his hand properly, causing the injury to heal incorrectly. It caused him chronic discomfort for the rest of his life.
- Erros de gravaçãoIn the opening sequence, set in 1952, the bar in Korea has a US flag with 50 stars. In 1952, the US included only 48 states, and the flag had only 48 stars. There are also some 50-star flags alongside period correct 48-star flags during the convention scenes.
- Citações
Bennett Marco: Raymond Shaw is the kindest, bravest, warmest, most wonderful human being I've ever known in my life.
- Cenas durante ou pós-créditosThe closing credits specify, "Released thru United Artists". This uses an informal spelling of the standard "through".
- Versões alternativasThe West German version was edited (ca. 4 minutes) to remove every scene with the ladies in the greenhouse. This version was also released on DVD. In 2005 the uncut version (with subtitles for the missing scenes) was shown on Arte. Only in 2020 was the complete version released on Blu-ray/DVD.
- ConexõesEdited into Commercial Entertainment Product (1992)
- Trilhas sonorasThe Washington Post
(1889) (uncredited)
Music by John Philip Sousa
Played by a band in the first scene after the opening credits
Avaliação em destaque
John Frankenheimer's surrealistic direction and George Axelrod's adaptation of the 1959 book by the same name offer Laurence Harvey a career defining role.
Set in 1950's, A Korean War veteran Raymond Shaw(Harvey) returns home to a medal of honor for rescuing his POW platoon from behind Chinese lines and back to safety. One of the returning soldiers, (played effectively by Frank Sinatra) however, has recurring dreams of his platoon being brainwashed and Shaw committing acts of murder.
He eventually convinces army brass that Shaw is still a puppet of his Communist-Marxist operators.
Angela Lansbury, (although barely a few years older than Harvey was at the time) plays his mother in a tour de force role. She absolutely captivates and steals every scene she is in, playing a very complex role that needs to convince the viewer of many things without much dialogue.
There's a rich cast of characters, including Janet Leigh, Henry Silva, James Edwards, and a painfully accurate James Gregory. Each character weaves through the methodical subplots and tapestry of Frankenheimer's masterful "Hitchcockian" pace.
I won't give away the plot, but dear readers, allow me to sat that this one is really worth watching--until the nail-biting and chilling conclusion.
There are many undertones in this film -- political, sexual, class and power, and social. You will want to view this film several times to approach it from different perspectives.
Set in 1950's, A Korean War veteran Raymond Shaw(Harvey) returns home to a medal of honor for rescuing his POW platoon from behind Chinese lines and back to safety. One of the returning soldiers, (played effectively by Frank Sinatra) however, has recurring dreams of his platoon being brainwashed and Shaw committing acts of murder.
He eventually convinces army brass that Shaw is still a puppet of his Communist-Marxist operators.
Angela Lansbury, (although barely a few years older than Harvey was at the time) plays his mother in a tour de force role. She absolutely captivates and steals every scene she is in, playing a very complex role that needs to convince the viewer of many things without much dialogue.
There's a rich cast of characters, including Janet Leigh, Henry Silva, James Edwards, and a painfully accurate James Gregory. Each character weaves through the methodical subplots and tapestry of Frankenheimer's masterful "Hitchcockian" pace.
I won't give away the plot, but dear readers, allow me to sat that this one is really worth watching--until the nail-biting and chilling conclusion.
There are many undertones in this film -- political, sexual, class and power, and social. You will want to view this film several times to approach it from different perspectives.
- teren
- 19 de ago. de 2001
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- El embajador del miedo
- Locações de filme
- Jilly's, 52nd Street at 8th Avenue, Manhattan, Nova Iorque, Nova Iorque, EUA(bar where Shaw hears he ought to go jump in a lake)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 2.200.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 2.757.256
- Fim de semana de estreia nos EUA e Canadá
- US$ 87.850
- 15 de fev. de 1988
- Faturamento bruto mundial
- US$ 2.757.256
- Tempo de duração2 horas 6 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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