Dois na Gangorra

The frustrating loop-de-loops of an uncertain love relationship between a Greenwich Village kook-dancer and a Midwestern suit-and-tie lawyer on the verge of divorcing his wife of 12 years. Though highly entertaining, this light-drama obviously derives from a play, as the lines of dialogue have not been reworked for the screen. It gets awfully pedantic at times; for instance, we know the characters' names, they know their names, so why do they keep saying to each other, "Jerry?", "Yes, Gittel?" "I'm sorry, Jerry." "I know, Gittel." The performances by Shirley MacLaine and Robert Mitchum are excellent (we like them even before their self-doubting, insecure characters take shape), but this stage-vehicle hasn't been turned into a star-vehicle. The leads banter back and forth in a curiously under-populated vacuum, however their increasingly tense conversations contain the startling ring of truth. Ted McCord's black-and-white cinematography provides a terrific compensation for the film's minor weaknesses; André Previn's "Apartment"-like score is rapturous as well. *** from ****