O Silêncio

An Ingmar Bergman film always takes me to film school. `Silence' offers the PhD. Metaphors and character arcs: No one does it better than Bergman.

It's a study in contrasts. It's about the strife sewn into the lining of family intimacy, contrasted with the perfection of strangers engaged in the base behaviors. Complexity vs. Simplicity. The common ground shared by youthful innocence and ignorance vs. the confusion imposed by years of living. Short people seeking acceptance vs. normal folk who are so completely unacceptable to each other. It's about a dying woman whose life's work is translating one language to another so others can understand it vs. two people who speak the same language who cannot understand each other (further) vs. two other people who speak different languages who have a better understanding than those sharing a common lexicon. And on and on.

Watching this film, it occurred to me how deeply Bergman's work influenced the likes of Kubrick and Hitchcock and Aldrich and Leigh … so many more. 2001 Space Odyssey, Psycho, so many of the great films have seeds here. The screen was Bergman's canvas; the camera his brush. Neither the script nor the imagery alone created the work. His work has a soul from the combination of all of it.

Watch Bergman's life's work and save yourself a bundle on film school. You'll be in the master's care.