Ao retornar à sua aldeia natal para continuar sua pesquisa experimental, o destituído Dr. Frankenstein revive sua antiga criatura, mas um hipnotizador quer que o monstro se controle por si m... Ler tudoAo retornar à sua aldeia natal para continuar sua pesquisa experimental, o destituído Dr. Frankenstein revive sua antiga criatura, mas um hipnotizador quer que o monstro se controle por si mesmo.Ao retornar à sua aldeia natal para continuar sua pesquisa experimental, o destituído Dr. Frankenstein revive sua antiga criatura, mas um hipnotizador quer que o monstro se controle por si mesmo.
- Prêmios
- 1 indicação no total
- Hans
- (as Sandor Eles)
- Body Snatcher
- (não creditado)
- Hypnotized Man
- (não creditado)
- Roustabout
- (não creditado)
- Manservant
- (não creditado)
- Roustabout
- (não creditado)
Enredo
Você sabia?
- CuriosidadesAccording to the Blu-ray's 'making of' featurette, Peter Cushing (Victor Frankenstein) is vigorously cutting away at a cabbage during the title sequence. It was originally used to emulate the crunching sound of slicing through bone, but this was eventually censored with the title music. Cushing, being very adamant on the technical details of his performance, always demanded the presence of technical advisors on set. During the surgical sequences, he wanted to make sure he used the scalpel correctly. He was also quoted to "want to convince any doctors in the audience."
- Erros de gravaçãoThe creature breaks into the Bergomaster's glass bedroom doors but when they're first broken only his shadow is seen and then they're broken more as he walks through them.
- Citações
Body Snatcher: [referring to a stolen body] I've got it!
Baron Frankenstein: So I observe... and so will half the county, if you don't hurry up and bring it inside!
- Versões alternativasTV version removes some scenes from the theatrical release and features 13 minutes of additional footage starring Steven Geray, Maria Palmer, William Phipps. Specifically, the scenes added for TV prints are: the scene in which a reporter asks an old doctor why nobody wants to talk about Baron Frankenstein (the later part of this scene is intercut with shots of the deafmute young woman, who IS part of the movie as originally filmed: the two men watch her and talk about her, but do not interact with her); the flashback scene showing the little girl being traumatized by the monster, becoming deaf and mute as a result (only his feet are shown); and the present-day scene in which the girl's father, now a drunken wreck, is told that psychological help may be able to overcome her muteness. These scenes are inserted into the movie smoothly, via dissolves rather than rough cuts, but they add nothing other than length. None of the characters actually gets involved in the story, and nothing about them is resolved: the reporter doesn't get the scoop he's looking for, the father doesn't get his revenge against the Baron, and the deaf woman doesn't get the therapy mentioned.
- ConexõesFeatured in Late Movie 18: The Evil of Frankenstein (1980)
Peter Cushing is still great in EVIL. Sure, he's not playing the character exactly the same as in the other films, but it's refreshing to see him more heroic than usual, and it's not as though he's a total saint either (he does take a freshly dead man and cut out his heart, for crying out loud). There are small moments of indifference, too - such as when the mute peasant girl offers bread to Cushing and his assistant, Hans -- while Hans takes the trouble of saying, "thank you... but have you enough for yourself?" Baron Frankenstein takes his half without a word of gratitude and instead merely mutters to Hans, "she can't hear you".
Terence Fisher is a good director, but I think Freddie Francis does a fantastic job too on THE EVIL OF FRANKENSTEIN (and, later, on Dracula HAS RISEN FROM THE GRAVE). The laboratory is the best of all the films, and there are many neat cinematic touches -- like the grim shadowplay when the creature is stalking around town, and the monster's POV shot as he is first being raised up from his slab. The music is striking too, on par with just about any other Hammer classic. It accentuates the events of the movie very well. Kiwi Kingston makes a formidable hulking monster, and there are times when I even pitied him (it's rough to see him getting those migraines and to be abused by that hypnotist).
The only things weak about EVIL for me are some of the moments where we are at the fair, though once Peter Cushing crashes the Burgomaster's home to claim his property ("Be quiet, woman!!" - I love that! - ) we're back into high gear. Another debit for the movie is that its script seems a little perfunctory at times. In summary -- taken on its own without carping on what this isn't and enjoying it for what riches are to be found within it, THE EVIL OF FRANKENSTEIN can be a fun and satisfying experience as a stand-alone Frankenstein Film. *** out of ****
- JoeKarlosi
- 5 de jun. de 2004
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- The Evil of Frankenstein
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- Tempo de duração1 hora 24 minutos
- Proporção
- 1.85 : 1