Gertrud

Dreyer's final film views as a testament to idealism, the desire to put love above everything else in life and the cruel reality which thwarts this. Gertrud is married to a wealthy lawyer, about to become a minister. However material wealth is all he can offer and spiritually she is starved. >

With a theatrical set-piece style characterized by long takes, Dreyer creates an intense and involving atmosphere. Passions are seen as the formative experiences in life in a society stifled by convention. Gertrud prefers nothing to having second best, she refuses to compromise her ideals. She resigns herself to a single life but retains in her mind the vibrancy of her chain of lost loves. A moving portrait of a strong woman. Scandinavian sombreness has rarely been so devastatingly effective.