AVALIAÇÃO DA IMDb
7,4/10
38 mil
SUA AVALIAÇÃO
Pierrot escapa de sua sociedade chata e viaja de Paris ao Mar Mediterrâneo com a Marianne, uma garota perseguida por assassinos da Argélia.Pierrot escapa de sua sociedade chata e viaja de Paris ao Mar Mediterrâneo com a Marianne, uma garota perseguida por assassinos da Argélia.Pierrot escapa de sua sociedade chata e viaja de Paris ao Mar Mediterrâneo com a Marianne, uma garota perseguida por assassinos da Argélia.
- Indicado para 1 prêmio BAFTA
- 2 vitórias e 2 indicações no total
Jean-Paul Belmondo
- Ferdinand Griffon dit Pierrot
- (as Jean Paul Belmondo)
Aicha Abadir
- Aicha Abadir
- (não creditado)
Henri Attal
- Le premier pompiste
- (não creditado)
Pascal Aubier
- Le deuxième frère
- (não creditado)
Maurice Auzel
- Le troisième pompiste
- (não creditado)
Raymond Devos
- L'homme du port
- (não creditado)
Roger Dutoit
- Le gangster
- (não creditado)
Samuel Fuller
- Self
- (não creditado)
Pierre Hanin
- Le troisième frère
- (não creditado)
Jimmy Karoubi
- Le nain
- (não creditado)
Jean-Pierre Léaud
- Le jeune homme au cinéma
- (não creditado)
Hans Meyer
- Un gangster
- (não creditado)
Krista Nell
- Madame Staquet
- (não creditado)
Dirk Sanders
- Fred - le frère de Marianne
- (não creditado)
Georges Staquet
- Frank
- (não creditado)
László Szabó
- L'exilé politique
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesDespite continual claims that Godard shot the majority of his films without scripts or preparation, actress Anna Karina has subsequently claimed that they were in fact very carefully planned out to the smallest of details, with an almost obsessive level of perfectionism.
- Versões alternativasOn the French Studio Canal Blu-Ray release, the green tinting is missing in the party scenes near the beginning of the film. It is intact on the American Criterion Collection Blu-Ray release.
- ConexõesEdited into Bande-annonce de 'Pierrot le fou' (1965)
Avaliação em destaque
"Film is like a battleground", tells Samuel Fuller Ferdinand in the beginning of this film: "Love, hate, action, violence, death. In one word: emotion." 'Pierrot le fou' is a 110 minutes film by Godard and his tenth feature. It's roughly based on a crime novel written by Lionel White. Tho, don't expect a linear adaptation. In fact, Godard and his actors mostly improvised and therefore deliver a dodgy 'surrealeperiment'.
The plot summary therefore must be given a little superficially: It's about a wannabe writer, Ferdinand Griffon (Belmondo) who escapes his every day life and runs off with his mistress Marianne (Karina) to the Mediterranean Sea. Far away from his family, he lives for the moment, reads books and tries to work on a diary. Meanwhile, the police and Algerian killers are chasing Marianne because she has committed a murder.
Godard assembles philosophical texts with shots of posters and screens, sets in musical elements and achieves to encode his film in a very inspiring way. Sometimes the imagery is fair and beautiful (i. e. Belmondo and Karina are running along a silhouette like forest which is photographed in front of a white, flat background), sometimes odious and angry (i. e. Belmondo finds an Algerian murdered with scissors and he keeps on raking in the wound), sometimes stirringly artistic (i. e. Karina takes the murder instrument, the scissors holds it in front of a wide-angle-lens and creates an unbelievably coherent effect of distortion).
Those who take the film with a living mind will experience a fascinating, beautifully filmed love story with two protagonists who do everything within the power of their tremendous acting potential. Concerning the contents, it is a cinematic toying with the duality of the characters (Ferdinand and Pierrot or Ferdinand or Marianne) or rather with schizophrenia. Belmondo plays a mad crackpot who first has a pretty martialistic based life as a husband and father whose world view staggers because of upcoming converse feelings - personated by Karina. She, married with Godard at that time, plays the character Marianne with wit, depth and anarchic charme. Her role is the symbolic enlightenment in Ferdinands being. While he strives melancholically for wisdom and always throbs on the importance of the arts, Marianne is a lackadaisical playgirl and swinger who wants to be instead of having. Belmondo as Ferdinand shows in all of his agility a vulnerability that hides behind the same gruffness of 'Une femme est une femme'.
'Pierrot le fou' is a film that dines from various influences, having some sort of private, economic, cultural or political natures. More than every other 'auteur' Godard manifests himself once more as the chronologist of his time.
The plot summary therefore must be given a little superficially: It's about a wannabe writer, Ferdinand Griffon (Belmondo) who escapes his every day life and runs off with his mistress Marianne (Karina) to the Mediterranean Sea. Far away from his family, he lives for the moment, reads books and tries to work on a diary. Meanwhile, the police and Algerian killers are chasing Marianne because she has committed a murder.
Godard assembles philosophical texts with shots of posters and screens, sets in musical elements and achieves to encode his film in a very inspiring way. Sometimes the imagery is fair and beautiful (i. e. Belmondo and Karina are running along a silhouette like forest which is photographed in front of a white, flat background), sometimes odious and angry (i. e. Belmondo finds an Algerian murdered with scissors and he keeps on raking in the wound), sometimes stirringly artistic (i. e. Karina takes the murder instrument, the scissors holds it in front of a wide-angle-lens and creates an unbelievably coherent effect of distortion).
Those who take the film with a living mind will experience a fascinating, beautifully filmed love story with two protagonists who do everything within the power of their tremendous acting potential. Concerning the contents, it is a cinematic toying with the duality of the characters (Ferdinand and Pierrot or Ferdinand or Marianne) or rather with schizophrenia. Belmondo plays a mad crackpot who first has a pretty martialistic based life as a husband and father whose world view staggers because of upcoming converse feelings - personated by Karina. She, married with Godard at that time, plays the character Marianne with wit, depth and anarchic charme. Her role is the symbolic enlightenment in Ferdinands being. While he strives melancholically for wisdom and always throbs on the importance of the arts, Marianne is a lackadaisical playgirl and swinger who wants to be instead of having. Belmondo as Ferdinand shows in all of his agility a vulnerability that hides behind the same gruffness of 'Une femme est une femme'.
'Pierrot le fou' is a film that dines from various influences, having some sort of private, economic, cultural or political natures. More than every other 'auteur' Godard manifests himself once more as the chronologist of his time.
- spoilsbury_toast_girl
- 30 de nov. de 2005
- Link permanente
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- How long is Pierrot le Fou?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Pierrot the Fool
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 300.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 87.011
- Fim de semana de estreia nos EUA e Canadá
- US$ 7.254
- 17 de jun. de 2007
- Faturamento bruto mundial
- US$ 148.564
- Tempo de duração1 hora 50 minutos
- Mixagem de som
- Proporção
- 2.35 : 1
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