Adicionar um enredo no seu idiomaA Virginia farmer who has vowed to remain neutral during the Civil War is spurred into action when his youngest son is taken by Union soldiers.A Virginia farmer who has vowed to remain neutral during the Civil War is spurred into action when his youngest son is taken by Union soldiers.A Virginia farmer who has vowed to remain neutral during the Civil War is spurred into action when his youngest son is taken by Union soldiers.
- Indicado a 1 Oscar
- 3 indicações no total
- John
- (as James McMullan)
- Gabriel
- (as Eugene Jackson Jr.)
Enredo
Você sabia?
- CuriosidadesThe opening battle scenes are taken from A Árvore da Vida (1957) and are printed as a mirror image of the original footage. The same scenes can also be seen in, amongst other films, A Conquista do Oeste (1962).
- Erros de gravaçãoIn the scene in which Charlie Anderson talks to Colonel Fairchild about his mistakenly abducted son in the Union camp, there is clearly a white automobile being driven (from right to left) in the background.
- Citações
Charlie Anderson: Do you like her?
Lt. Sam: Well, I just said I...
Charlie Anderson: No, no. You just said you loved her. There's some difference between lovin' and likin'. When I married Jennie's mother, I-I didn't love her - I liked her... I liked her a lot. I liked Martha for at least three years after we were married and then one day it just dawned on me I loved her. I still do... still do. You see, Sam, when you love a woman without likin' her, the night can be long and cold, and contempt comes up with the sun.
- ConexõesEdited from ...E o Vento Levou (1939)
- Trilhas sonorasOh Shenandoah
(uncredited)
Traditional
Heard as theme twice during the film
A leisurely, somewhat by-the-book movie, directed by a television veteran, Andrew V. McLaglen. The story, of a family who resisted the Civil War by sheer stubborn principles (like objecting to war), is interesting, and a bit different. This has the feel of a Western, but it's set in Virginia, so is closer to "Drums Along the Mohawk" in depth and intention.
But more to the point--James Stewart is the patriarch, and he brings an older, deeper, wiser sensibility to the film than all the other actors combined. It's a great performance top to bottom, and he pulls it off with complexity and rare conviction. The plot is absorbing because of Stewart, and that's the final word, really.
It doesn't hurt to note this is 1965, and the Vietnam war is getting going on a large scale, making the front of Life Magazine. Whether or not this is a comment on that war, or on war in general, it's hard to know from here, but the audience must have seen it that way. There is a conflict of innocence and sheer naiveté that doesn't always wash well with common sense, and this large family is nothing if not smart. The large crisis that marks the halfway point was avoidable by paying attention to the hat a little more.
But these men and women still show the power of passive resistance to a war that seemed, to them, to be nonsense.
- secondtake
- 16 de out. de 2010
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Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 17.268.889
- Tempo de duração1 hora 45 minutos
- Cor
- Proporção
- 1.85 : 1