Adicionar um enredo no seu idiomaThe struggle of a lady's garment workers' organization to unionize a New York clothing sweat shop; the owner of which is determined to keep the union out of his business at any cost.The struggle of a lady's garment workers' organization to unionize a New York clothing sweat shop; the owner of which is determined to keep the union out of his business at any cost.The struggle of a lady's garment workers' organization to unionize a New York clothing sweat shop; the owner of which is determined to keep the union out of his business at any cost.
- Joanne
- (não creditado)
- Worker
- (não creditado)
- Bit Model
- (não creditado)
- Worker
- (não creditado)
- Worker
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesA good depiction of a "sweat shop" that used the "piece work" method of pay. An employee was paid a very low hourly wage in the "piece work" system that paid by the unit. If the worker made enough "pieces" at a certain rate, they would be paid the higher of the two: the hourly rate or the rate based on the number of pieces they produced. They system encouraged employees to work fast and to not take breaks. The "piece work" system was common across the manufacturing industry until unions put an end to it.
- Erros de gravaçãoAbout half way through, when the truck drives forward into the alley past the union 'picketers' towards the elevator. After they kill Tulio the truck is inexplicably turned-around (without room in the alley to turn around) and drives forward out of the alley the same way it came in.
- Citações
Lee Hackett: [commenting, in a Long Island Lock-jaw accent, on clothes modeled in a fashion show] Do notice the movement in the back. It really talks. Backtalk is terribly important this season.
Buyer: Do you think that back will talk?
Lee Hackett: Even in Scranton.
- ConexõesReferenced in Os Exilados (1961)
- Trilhas sonorasO Sacred Head, Now Wounded
Written by Hans L. Hassler (d. 1612)
Performed on the organ at the second funeral
Alan Mitchell (Matthews) returns from the War to help his father Walter (Cobb) run the family fashion designer factory. Unfortunately he finds a business being protected by local hoodlum Artie Ravidge (Boone), who has the backing of Walter, and who is defiant in not letting the Union into the company. Things are about to turn very ugly and Alan is right in the middle of it.
Robert Aldrich is uncredited in a lot of sources, but the film was 98% his work. Cobb had a sulk about where his character was going, it all came to a head and Columbia head Harry Cohn, not needing much of an excuse to fire Aldrich (who was sick as well), brought in Sherman to finish the film. Or at least that's the party line story...
Aldrich's mark is all over the film, the harsher edges involving racketeers and violence are unmistakably his. The characterisations are pungent with varying degrees of menace, betrayal, cowardice and stoicism, with morals and ethics brought into sharp focus. Much of the pic is filmed indoors, which is a shame because when Biroc gets to photograph outside in the New York locales, we can see that we could have had a visual film noir treat. Instead we get a very good pro- Union drama with noir tints, though the softening of a key character, which Aldrich didn't aspire to, leaves you wondering just how much more spicy things could have been. 7/10
- hitchcockthelegend
- 26 de fev. de 2016
- Link permanente
Principais escolhas
- How long is The Garment Jungle?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- The Garment Jungle
- Locações de filme
- Manhattan Center - 311 West 34th Street, Manhattan, Nova Iorque, Nova Iorque, EUA(exterior shots of the funeral)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.050.000 (estimativa)
- Tempo de duração1 hora 28 minutos
- Cor
- Proporção
- 1.85 : 1