AVALIAÇÃO DA IMDb
8,0/10
37 mil
SUA AVALIAÇÃO
O poderoso, mas antiético colunista de Broadway J.J. Hunsecker força o inescrupuloso agente de imprensa Sidney Falco a romper o caso de sua irmã com um músico de jazz.O poderoso, mas antiético colunista de Broadway J.J. Hunsecker força o inescrupuloso agente de imprensa Sidney Falco a romper o caso de sua irmã com um músico de jazz.O poderoso, mas antiético colunista de Broadway J.J. Hunsecker força o inescrupuloso agente de imprensa Sidney Falco a romper o caso de sua irmã com um músico de jazz.
- Indicado para 1 prêmio BAFTA
- 3 vitórias e 3 indicações no total
Martin Milner
- Steve Dallas
- (as Marty Milner)
Chico Hamilton
- Self
- (as The Chico Hamilton Quintet)
Buddy Clark
- Self
- (as The Chico Hamilton Quintet)
Jay Adler
- Manny Davis
- (não creditado)
Mary Bayless
- Bar Patron
- (não creditado)
Nicky Blair
- Patron at Toots Shor's
- (não creditado)
Nick Borgani
- Waiter
- (não creditado)
Enredo
Você sabia?
- CuriosidadesPublicity materials for the film noted cinematographer James Wong Howe spread a film of Vaseline on Lancaster's glasses to create a shine and make his stare more menacing.
- Erros de gravação(at around 2 mins) When Sidney peruses J.J. Hunsecker's 'The Eyes of Broadway' column on page 21 of the New York Globe newspaper, it can be seen that several of the paragraphs are repeated. Of the nine paragraphs visible, it can be seen that paragraph 7 is an exact copy of paragraph 2; 8 is a copy of 5, and 9 is a copy of 4.
- Citações
J.J. Hunsecker: I'd hate to take a bite outta you. You're a cookie full of arsenic.
- Cenas durante ou pós-créditosintroducing Susan Harrison
- ConexõesFeatured in Mackendrick: The Man Who Walked Away (1986)
Avaliação em destaque
BURT LANCASTER was at the height of his illustrious film career when he played J.J. Hunsecker, the Broadway gossip columnist who dipped his pen in poison to destroy careers. TONY CURTIS was a long way from the days when he was ridiculed for saying "Yonda is the castle of my fadder" in films like SON OF ALI BABA and THE BLACK SHIELD OF FALWORTH.
Here, Curtis is every bit up to the chore of playing the slavishly obedient but hateful publicity man who seems to be fawning over Lancaster, but really despises him. Two towering performances in a film with some of the sharpest exchanges of dialog ever heard.
The cruel side of show biz gets full and rich observation from screenwriter Clifford Odets from a novel by Ernest Lehman. The bright lights of Broadway play against the rainswept streets of Broadway and Times Square, a shadowy sort of film noir background for the brutal story being told.
The story abounds in quotable moments, such as when Lancaster tells Curtis, "You're a cookie full of arsenic." The jazz score background sets the appropriate mood for a story as cynical as this, and the twists and turns of the plot will keep you hooked until the uncertain ending. The main plot line has Lancaster opposed to his sister's suitor, a jazz musician (MARTIN MILNER) and his efforts to get this man out of his sister's life with the help of his obedient slave.
But mainly, this is a film worth savoring to watch the intense performances of Lancaster and Curtis. I doubt whether either of them has ever done better work. For Lancaster, it only cemented his reputation as a man already judged to be a fine actor in the right role. For Curtis, it made film critics take this "pretty boy from Brooklyn" seriously for the first time and was the first big milestone in his budding film career.
Here, Curtis is every bit up to the chore of playing the slavishly obedient but hateful publicity man who seems to be fawning over Lancaster, but really despises him. Two towering performances in a film with some of the sharpest exchanges of dialog ever heard.
The cruel side of show biz gets full and rich observation from screenwriter Clifford Odets from a novel by Ernest Lehman. The bright lights of Broadway play against the rainswept streets of Broadway and Times Square, a shadowy sort of film noir background for the brutal story being told.
The story abounds in quotable moments, such as when Lancaster tells Curtis, "You're a cookie full of arsenic." The jazz score background sets the appropriate mood for a story as cynical as this, and the twists and turns of the plot will keep you hooked until the uncertain ending. The main plot line has Lancaster opposed to his sister's suitor, a jazz musician (MARTIN MILNER) and his efforts to get this man out of his sister's life with the help of his obedient slave.
But mainly, this is a film worth savoring to watch the intense performances of Lancaster and Curtis. I doubt whether either of them has ever done better work. For Lancaster, it only cemented his reputation as a man already judged to be a fine actor in the right role. For Curtis, it made film critics take this "pretty boy from Brooklyn" seriously for the first time and was the first big milestone in his budding film career.
- Doylenf
- 2 de dez. de 2006
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Sweet Smell of Success
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 3.400.000 (estimativa)
- Faturamento bruto mundial
- US$ 7.812
- Tempo de duração1 hora 36 minutos
- Cor
- Proporção
- 1.66 : 1(original ratio)
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By what name was A Embriaguez do Sucesso (1957) officially released in India in Hindi?
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