AVALIAÇÃO DA IMDb
6,6/10
25 mil
SUA AVALIAÇÃO
Cansado das convenções da sociedade parisiense, um playboy e uma jovem desfrutam de uma amizade platônica, mas não por muito tempo.Cansado das convenções da sociedade parisiense, um playboy e uma jovem desfrutam de uma amizade platônica, mas não por muito tempo.Cansado das convenções da sociedade parisiense, um playboy e uma jovem desfrutam de uma amizade platônica, mas não por muito tempo.
- Ganhou 9 Oscars
- 21 vitórias e 9 indicações no total
Marie-Hélène Arnaud
- Girl at Maxim's
- (não creditado)
Jack Ary
- Waiter at "Palais de Glace"
- (não creditado)
Daniel Aubé
- A boy at Jardins des Tuileries
- (não creditado)
Richard Bean
- Harlequin
- (não creditado)
Cecil Beaton
- Gentleman in Park
- (não creditado)
Jacques Bertrand
- Maitre d'Hotel Maxim's
- (não creditado)
Margaret Bristow
- Showgirl
- (não creditado)
Paul Cristo
- Restaurant Patron
- (não creditado)
Hubert de Lapparent
- Gaston's Private Secretary
- (não creditado)
Cilly Feindt
- Girl on Horseback at Pré Catelan
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Best Picture Winners by Year
Best Picture Winners by Year
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Enredo
Você sabia?
- CuriosidadesThe day after the movie won nine Oscars, MGM telephone operators were instructed to answer all phone calls with "Hello, M-Gigi-M."
- Erros de gravaçãoDuring Gaston's song by the pond thinking of Gigi, there is a fence in the pond forcing the swans to stay in close background. The swans, obviously confused yet undeterred, keep swimming into the fence attempting to get to the swan in deep background on the other side of the pond.
- Citações
Aunt Alicia: Love, my dear Gigi, is a thing of beauty like a work of art, and like a work of art it is created by artists. The greater the artist the greater the art. And what makes an artist?
Gigi: Cigars and jewelry?
Aunt Alicia: Gigi, you're from another planet.
- Versões alternativasIn some prints shown on television, we see still photos of Leslie Caron part of the time during the song "Gigi", instead of seeing Louis Jourdan singing. (This occurs after the verse and first chorus, when the orchestra plays the song while Jourdan only exclaims "Gigi!") As shown currently, we see Jourdan singing throughout the whole song, as in the theatrical release.
- ConexõesEdited into Histoire(s) du cinéma: Une histoire seule (1989)
- Trilhas sonorasThank Heaven for Little Girls
(uncredited)
Lyrics by Alan Jay Lerner
Music by Frederick Loewe
Performed by Maurice Chevalier
Avaliação em destaque
Having seen this film several times, I definitely have to rate Gigi as one of the most charming musicals ever made. The delightful score, by Lerner & Loewe, includes songs such as "I Remember it Well," "The Night They Invented Champagne," "Thank Heaven For Little Girls," as well as the title track, "Gigi," sung with surprising candor and earnestness by Louis Jourdan. Although reminiscent of their work on My Fair Lady, this score not only stands beautifully on its own but also grows in depth with each viewing.
The three principals, Leslie Caron, Louis Jourdan, and Maurice Chevalier, along with the Paris locales helps maintain a distinctively French flavor, especially in the way the characters relate and interact.
For everyone who has commented on the political incorrectness of the story, a closer look will actually reveal the true feminist perspective of Colette's work which was groundbreaking for its time: 1) the story is a commentary and observation of the limited social and economic options for women outside of marriage during the turn of the century Paris, 2) Although Gigi (Caron) never fully masters her lessons and grooming, she is able to capture Gaston's (Jourdan) heart precisely because of her imperfections, and 3) most importantly, it is Gaston rather than Gigi who is forced to truly transform himself and defy the social conventions of the time to bring the story to its resolution.
Compare this to My Fair Lady, which offers similar social commentary but resolves itself in a more standard way: For example 1) Eliza Dolittle only becomes noticeable and lovable after transforming her outward appearance and speech patterns 2) Although Professor Higgins finally realizes his love for Eliza at the end, it is Eliza who is forced to submit her will by effecting a reconciliation that does nothing to resolve any of the issues raised in the scenes leading up to that point.
Definitely see Gigi and judge for yourself. (By the way, the widescreen version is sooooo much better. This is especially apparent in numbers such as "I Remember It Well" where entire characters are forced to be cut out of the screen.)
The three principals, Leslie Caron, Louis Jourdan, and Maurice Chevalier, along with the Paris locales helps maintain a distinctively French flavor, especially in the way the characters relate and interact.
For everyone who has commented on the political incorrectness of the story, a closer look will actually reveal the true feminist perspective of Colette's work which was groundbreaking for its time: 1) the story is a commentary and observation of the limited social and economic options for women outside of marriage during the turn of the century Paris, 2) Although Gigi (Caron) never fully masters her lessons and grooming, she is able to capture Gaston's (Jourdan) heart precisely because of her imperfections, and 3) most importantly, it is Gaston rather than Gigi who is forced to truly transform himself and defy the social conventions of the time to bring the story to its resolution.
Compare this to My Fair Lady, which offers similar social commentary but resolves itself in a more standard way: For example 1) Eliza Dolittle only becomes noticeable and lovable after transforming her outward appearance and speech patterns 2) Although Professor Higgins finally realizes his love for Eliza at the end, it is Eliza who is forced to submit her will by effecting a reconciliation that does nothing to resolve any of the issues raised in the scenes leading up to that point.
Definitely see Gigi and judge for yourself. (By the way, the widescreen version is sooooo much better. This is especially apparent in numbers such as "I Remember It Well" where entire characters are forced to be cut out of the screen.)
- john_ccy
- 25 de jun. de 2001
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- The Parisians
- Locações de filme
- Venice Beach, Venice, Los Angeles, Califórnia, EUA(beach scenes)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 3.319.355 (estimativa)
- Tempo de duração1 hora 55 minutos
- Mixagem de som
- Proporção
- 2.35 : 1
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