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Adicionar um enredo no seu idiomaThe story of the Finzi-Continis, a noble family of Ferrara, during the Jewish persecution in Italy's 1930s.The story of the Finzi-Continis, a noble family of Ferrara, during the Jewish persecution in Italy's 1930s.The story of the Finzi-Continis, a noble family of Ferrara, during the Jewish persecution in Italy's 1930s.
- Ganhou 1 Oscar
- 11 vitórias e 3 indicações no total
Inna Alexeievna
- Regina Artom Herrera
- (as Inna Alexeieff)
Barbara Pilavin
- Madre di Giorgio
- (as Barbara Leonard Pilavin)
Enredo
Você sabia?
- CuriosidadesWhile the film was well received by the public and the cinematic community, there was controversy in the literary community over the fact that the film made Micòl's relationship with Malnate explicit. This alteration changed the tone of the work, and tainted Micòl's persona. It led to Giorgio Bassani attempting to distance himself from Vittorio de Sica's work.
- Erros de gravaçãoGiorgio and his father discuss the diminishing rights of Jews at his desk. During his close-ups a hair on the camera lens is visible in the center bottom of the frame.
- Citações
Giorgio's Father: In life, in order to understand, to really understand the world, you must die at least once. So it's better to die young, when there's still time left to recover and live again.
- ConexõesFeatured in The 79th Annual Academy Awards (2007)
- Trilhas sonorasVivere
Written by Cesare A. Bixio (uncredited)
Performed by Tito Schipa
Per concessione della EMI Italiana S.p.A.
Avaliação em destaque
Chances are, if you are only casually aware of the world that you live in, your life imitates that of the Finzi-Continis, one of two families depicted in this film.
The beginning of de Sica's film follows the state of affairs in Italy shortly after the Fascist government of Mussolini has declared the ordinary tennis clubs off limits for Italian Jews-just the beginning for the Government's separatist stance. The Jews in town react in various ways: Giorgio, who is in love with the daughter of the Finzi-Continis, is enraged; his father his philosophical; Giorgio's brother is upset only after being sent to France to study, and later, finding out to his horror about the German concentration camps. To the Finzi-Continis, though, it doesn't really matter. They're different from the other Jews because wealth and privilege have bred them into a family as proud as it is vulnerable. They hardly seem to know, or even care, about the fact that their rights are slowly being taken away. It seems that years of prestige and social status have put them above the laws of the land.
The walled garden of the Finzi-Continis is a symbol for the false security that people retain, unaware that problems on the outside may force them into reality. The garden of the film seems to promise that nothing will change and that everything will remain the same. Interestingly, de Sica films the garden in a way that enforces this theme of false security. He never orients us visually with the rest of the city, so we can never tell how big or how small the garden is. Have you ever felt uneasy being somewhere not knowing the exact dimensions of your boundary? That's the feeling we get here with shots of the garden that seem to stretch on forever.
The Garden of the Finzi-Continis is a great film for many reasons, one of which is how it forces us to take a proactive stance regarding the world that we live in. There's nothing wrong with feeling secure but it's important to try to take an objective stance with reference to the world that we live in. And you certainly don't want to be on the outside looking in to those who have realized it already.
The beginning of de Sica's film follows the state of affairs in Italy shortly after the Fascist government of Mussolini has declared the ordinary tennis clubs off limits for Italian Jews-just the beginning for the Government's separatist stance. The Jews in town react in various ways: Giorgio, who is in love with the daughter of the Finzi-Continis, is enraged; his father his philosophical; Giorgio's brother is upset only after being sent to France to study, and later, finding out to his horror about the German concentration camps. To the Finzi-Continis, though, it doesn't really matter. They're different from the other Jews because wealth and privilege have bred them into a family as proud as it is vulnerable. They hardly seem to know, or even care, about the fact that their rights are slowly being taken away. It seems that years of prestige and social status have put them above the laws of the land.
The walled garden of the Finzi-Continis is a symbol for the false security that people retain, unaware that problems on the outside may force them into reality. The garden of the film seems to promise that nothing will change and that everything will remain the same. Interestingly, de Sica films the garden in a way that enforces this theme of false security. He never orients us visually with the rest of the city, so we can never tell how big or how small the garden is. Have you ever felt uneasy being somewhere not knowing the exact dimensions of your boundary? That's the feeling we get here with shots of the garden that seem to stretch on forever.
The Garden of the Finzi-Continis is a great film for many reasons, one of which is how it forces us to take a proactive stance regarding the world that we live in. There's nothing wrong with feeling secure but it's important to try to take an objective stance with reference to the world that we live in. And you certainly don't want to be on the outside looking in to those who have realized it already.
- Preston-10
- 2 de mai. de 2001
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- How long is The Garden of the Finzi-Continis?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- The Garden of the Finzi-Continis
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 596.694
- Fim de semana de estreia nos EUA e Canadá
- US$ 112.105
- 22 de nov. de 1996
- Tempo de duração1 hora 34 minutos
- Cor
- Proporção
- 1.85 : 1
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By what name was O Jardim dos Finzi Contini (1970) officially released in India in English?
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