After the promise shown in The Alphabet, David Lynch directed this half-hour feature which expanded upon the tones and aesthetics found in that short film. In many ways The Grandmother is a precursor to Eraserhead. Like the latter it's a surrealistic nightmare about dysfunctional people. A young boy is terrorised by his parents. They abuse him for his chronic bed-wetting. So he plants a seed in a pile of dirt in a room upstairs in his house. This in turn grows into a huge plant that gives birth to an older woman; the grandmother. She forms a loving bond with the boy, giving him the companionship he craves.
The film combines live action with animation as did The Alphabet. Except now the live action is more predominant. The content of the film is unashamedly and consistently surreal and is an early showcase for Lynch's bizarre ideas. Both visually and aurally the film is very off-kilter. All the characters have white-painted faces, which stand out in a disconcerting way due to the high-contrast photography and black backgrounds. The strange imagery is complimented by an odd soundtrack where the characters talk in animal-like noises. The parents are so alien to the boy that they literally bark at him.
Like Lynch's other work this is a film that combines the disturbing with the beautiful. Often at the same time. The story isn't really the point here. This is all about mood and atmosphere. It's an essential see for David Lynch fans and an excellent short film.
