Olá, Mamãe!

Long before either Robert DeNiro or Brian DePalma were famous, they teamed for this low budget satire on Urban Life in late 60s NYC. The resulting film was a mixed bag at best, with one truly brilliant sequence - the guerrilla theater piece "Be Black, Baby" - a few clever observations and a fair bit of dead time, where it seems as if nobody came up with much, and it got filmed anyway. DeNiro plays a Vietnam vet who wanders about NYC filming things 'peeping Tom' style, looking for a purpose in life or a personal mission. If this sounds like Travis Bickle (Taxi Driver) with a camera rather than a cab, it sure does, but unfortunately, DeNiro has less to do that is cinematically captivating here than in his "Are you talking' to me?" moments as Bickle. The character is less interesting on screen, less well-formed and thus less of a scene-stealer. Plus, DePalma was clearly so enamored of the film- making process that the viewer is supposed to find the voyeuristic act of simply filming stuff to be as orgasmic as the director thinks it is, even when nothing much very interesting is being filmed. I still recommend the movie but urge caution. The good parts here are really good. It would be a better movie, obviously, if there were more of them.