Um jovem americano e sua esposa inglesa vão para uma zona rural da Inglaterra e enfrentam assédio local cada vez mais cruel.Um jovem americano e sua esposa inglesa vão para uma zona rural da Inglaterra e enfrentam assédio local cada vez mais cruel.Um jovem americano e sua esposa inglesa vão para uma zona rural da Inglaterra e enfrentam assédio local cada vez mais cruel.
- Indicado a 1 Oscar
- 1 vitória e 3 indicações no total
Bob Keegan
- Harry Ware
- (as Robert Keegan)
June Brown
- Mrs. Hebden
- (não creditado)
Jimmy Charters
- Man in Pub
- (não creditado)
Chloe Franks
- Emma Hebden
- (não creditado)
Michael Mundell
- Bertie Hedden
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesIn the scene where David Sumner (Dustin Hoffman) first enters the local pub, director Sam Peckinpah was unhappy with the other actors' reaction to this stranger entering their world. Eventually, he decided to do one take where Hoffman entered the scene without his trousers on. He got his reaction, and these are the shots shown in the final film.
- Erros de gravaçãoWhen Amy fires the shotgun at the last attacker both the hammers are in the 'uncocked' position. She would need to pull the hammer of the relevant barrel backwards to cock the gun.
- Versões alternativasThe video version was twice rejected by the British Board of Film Classification in 1999 after the distributors refused to cut forcible stripping and any signs that Susan George was "enjoying" the rape. Video versions were available in Britain before the 1984 law which required all videos to be classified. There were two such releases, one of which was uncut, and one which lost some dialogue due to print damage. As of 1st July 2002, the full version of the film has been passed uncut for video and DVD release by the BBFC.
- ConexõesFeatured in Kartal Yuvasi (1974)
Avaliação em destaque
So you think movies are violent today, huh? Think again. Sam Peckinpah's highly charged, extremely intense, brutally violent 1971 pic is an underrated masterpiece, in my opinion, that redefined cinema violence forever (as if "The Wild Bunch" wasn't enough). It is one of the best directed, most fluidly edited pictures that I've seen in recent years. Today's films don't even come close.
Allegedly banned in the U.K. to this very day, "Straw Dogs" came to me out of nowhere. I had heard good things about it, but never really caught onto it, until one day when I was at a video store browsing around for no apparent reason. I had absolutely no money and wasn't planning to buy anything when all of the sudden, I saw it . . .
WIDESCREEN - UNCENSORED,RESTORED - COLLECTOR'S EDITION
I had never even seen the movie and I wanted to buy it! I mean, hey, it WAS the last one left.
So I took a huge risk, got a loan from my mother, used all the two-dollar bills I had been saving to pay her back, and bought it right out. And then, I viewed it later on that night, praying I hadn't wasted my time. AND: I was floored. The film literally knocked me out, kept me peeled to the screen at every instant, left me disturbed for days to come. I mean, let me tell you, go out and rent this, buy this, anything, just see it! Although it is moderately paced, the film remains intense the whole way, and takes an unexpected turn into extreme violence towards the legendary ending, a showdown worthy of multiple viewings (watch "Fear" to see an amateur retread).
So it goes like this: Hoffman plays a wimpy mathematician who flees with his wife George to the peaceful countryside (to get away from violence!), only to be ravaged by the locals who just wanna start trouble. It is the ultimate test of manhood, showing us (in a somewhat biased manner) that it takes aggression to get what you want and keep what you have. You'll be amazed at Hoffman's "transformation" (we all know deep down that EVERYONE'S got it in them somewhere), but it makes you think, especially when Hoffman has to defend his home from several large armed men WITHOUT USING ANY WEAPONS, only his brains and some household appliances.
I'm surprised that this is such a forgotten film. There aren't enough people who can actually claim to have seen this picture or even know what it's about. I find that hard to ingest, being that it was one of the most controversial films of its day. But it IS very brutal, especially the once trimmed rape scene, restored on my copy, a scene that I find to be the most intense. However, today's moviegoers may not agree.
So see "Straw Dogs," the movie that single-handedly turned me into a Peckinpah fan. The editing is Oscar-worthy, the acting is magnificent, the situations are well thought out, and the characters are fleshed to the bone (sometimes literally). I promise you won't leave disappointed.
#5 on my Top 200 List, **** outta **** on my personal scale.
Allegedly banned in the U.K. to this very day, "Straw Dogs" came to me out of nowhere. I had heard good things about it, but never really caught onto it, until one day when I was at a video store browsing around for no apparent reason. I had absolutely no money and wasn't planning to buy anything when all of the sudden, I saw it . . .
WIDESCREEN - UNCENSORED,RESTORED - COLLECTOR'S EDITION
I had never even seen the movie and I wanted to buy it! I mean, hey, it WAS the last one left.
So I took a huge risk, got a loan from my mother, used all the two-dollar bills I had been saving to pay her back, and bought it right out. And then, I viewed it later on that night, praying I hadn't wasted my time. AND: I was floored. The film literally knocked me out, kept me peeled to the screen at every instant, left me disturbed for days to come. I mean, let me tell you, go out and rent this, buy this, anything, just see it! Although it is moderately paced, the film remains intense the whole way, and takes an unexpected turn into extreme violence towards the legendary ending, a showdown worthy of multiple viewings (watch "Fear" to see an amateur retread).
So it goes like this: Hoffman plays a wimpy mathematician who flees with his wife George to the peaceful countryside (to get away from violence!), only to be ravaged by the locals who just wanna start trouble. It is the ultimate test of manhood, showing us (in a somewhat biased manner) that it takes aggression to get what you want and keep what you have. You'll be amazed at Hoffman's "transformation" (we all know deep down that EVERYONE'S got it in them somewhere), but it makes you think, especially when Hoffman has to defend his home from several large armed men WITHOUT USING ANY WEAPONS, only his brains and some household appliances.
I'm surprised that this is such a forgotten film. There aren't enough people who can actually claim to have seen this picture or even know what it's about. I find that hard to ingest, being that it was one of the most controversial films of its day. But it IS very brutal, especially the once trimmed rape scene, restored on my copy, a scene that I find to be the most intense. However, today's moviegoers may not agree.
So see "Straw Dogs," the movie that single-handedly turned me into a Peckinpah fan. The editing is Oscar-worthy, the acting is magnificent, the situations are well thought out, and the characters are fleshed to the bone (sometimes literally). I promise you won't leave disappointed.
#5 on my Top 200 List, **** outta **** on my personal scale.
- Magnum-9
- 13 de jul. de 1999
- Link permanente
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Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Cães de Palha
- Locações de filme
- Tor Noon, Morvah, Cornwall, Inglaterra, Reino Unido(Trencher's Farm)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 3.251.794 (estimativa)
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What is the streaming release date of Sob o Domínio do Medo (1971) in Brazil?
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