Adicionar um enredo no seu idiomaBlack revolutionaries take action in the white suburbs.Black revolutionaries take action in the white suburbs.Black revolutionaries take action in the white suburbs.
Celia Milius
- Renee Freeman
- (as Celia Kaye)
Ed Cambridge
- Dr. Smalls
- (as Edmund Cambridge)
Morris D. Erby
- Mr. Johnson
- (as Morris Erby)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesReleased between two of Billy Dee Williams' best films; television's "Brian's Song" 1971, and the theatrical "Lady Sings The Blues" 1972.
- Versões alternativasBlast! (1976) is an alternate version of this film, with new footage directed by Allan Arkush. The director credited is "Frank Arthur Wilson."
- ConexõesFeatured in Planet X: Episode #2.1 (2006)
Avaliação em destaque
THE FINAL COMEDOWN is a cheap blaxploitation vehicle for actor Billy Dee Williams, later to achieve worldwide fame and recognition for his role in the STAR WARS films. His appearance here is something of a star-making turn for the actor, who burns up the screen as the black revolutionary determined to stand up to the racist white cops who are making his life a nightmare.
This is an undeniably cheap film that's plenty rough around the edges, although it's an interesting picture for sure. It avoids the usual stereotypes of sex and violence that often prop up this genre, even though both are present throughout the running time, most noticeably during a lengthy and gratuitous sex scene. Instead it provides a kind of social commentary exploring the issues of the times, and the racism inherent in 1970s society.
The grungy vibe of THE FINAL COMEDOWN gives it a realistic appearance even though it isn't particularly satisfying on a visceral or emotional level. The supporting cast is a well-judged one and I was amused to see a younger R.G. Armstrong, still looking old even at this stage of his career. This isn't the kind of film that's going to set anyone's world on fire - it's obscure for a reason - but fans of the stars or genre will find themselves intrigued by it.
This is an undeniably cheap film that's plenty rough around the edges, although it's an interesting picture for sure. It avoids the usual stereotypes of sex and violence that often prop up this genre, even though both are present throughout the running time, most noticeably during a lengthy and gratuitous sex scene. Instead it provides a kind of social commentary exploring the issues of the times, and the racism inherent in 1970s society.
The grungy vibe of THE FINAL COMEDOWN gives it a realistic appearance even though it isn't particularly satisfying on a visceral or emotional level. The supporting cast is a well-judged one and I was amused to see a younger R.G. Armstrong, still looking old even at this stage of his career. This isn't the kind of film that's going to set anyone's world on fire - it's obscure for a reason - but fans of the stars or genre will find themselves intrigued by it.
- Leofwine_draca
- 12 de nov. de 2016
- Link permanente
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Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 163.591
- Tempo de duração1 hora 23 minutos
- Mixagem de som
- Proporção
- 1.85 : 1
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Principal brecha
By what name was The Final Comedown (1972) officially released in Canada in English?
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