Adicionar um enredo no seu idiomaThe funny story of mad but kind and chivalrous elderly nobleman Don Quixote who, aided by his squire Sancho Panza, fights windmills that are seen as dragons to save prostitute Dulcinea who i... Ler tudoThe funny story of mad but kind and chivalrous elderly nobleman Don Quixote who, aided by his squire Sancho Panza, fights windmills that are seen as dragons to save prostitute Dulcinea who is seen as a noblewoman.The funny story of mad but kind and chivalrous elderly nobleman Don Quixote who, aided by his squire Sancho Panza, fights windmills that are seen as dragons to save prostitute Dulcinea who is seen as a noblewoman.
- Indicado a 1 Oscar
- 2 vitórias e 3 indicações no total
- Muleteer
- (as Dominic Bartó)
Enredo
Você sabia?
- CuriosidadesKirk Douglas was so keen to play Don Quixote that he offered Paramount $1m for the rights. In 1965, Anthony Quinn negotiated with Dale Wasserman for the film rights. Quinn wanted Mexican comedian Cantinflas for the role of "Sancho Panza" (with Quinn as Quixote).
- Erros de gravaçãoIn the film, Miguel de Cervantes y Saavedra uses the story of Don Quixote to defend the hero's chivalric notions. In the final pages of the novel, and only in the final pages, he declares that his intention was to satirize and poke fun at the exaggerated books of chivalry which were then in vogue. Part I of "Don Quixote" published in 1605, is mostly comic; Part II, published in 1615, is more melancholy and psychological. Most critics feel that, despite his satirical intentions, Cervantes mellowed and began to admire Don Quixote between publication of the 2 parts.
- Citações
Miguel de Cervantes: I'm a poet.
The Duke: They're putting people in prison for that?
Miguel de Cervantes: No, no, no, not for that.
The Duke: Too bad.
- Cenas durante ou pós-créditosDuring the opening credits, we see the animated sails of a windmill, which, with each turn, begin to reveal, and finally become, a sketch of the face of Don Quixote. The camera moves in for an extreme closeup of the facial features, which, as the camera gets close, reveal themselves to be a giant prop in an outdoor stage presentation during a festival. As the opening credits end, the sketch of that prop dissolves into the real item.
- Versões alternativasThe DVD features the MGM logo in the credits, but not the United Artists one, although the film is a United Artists release. The VHS release featured both logos, and the original theatrical release only the United Artists one, along with the Transamerica logo (Transamerica once owned UA).
- ConexõesFeatured in The 75th Annual Academy Awards (2003)
- Trilhas sonorasMan of La Mancha
(I, Don Quixote)
Music by Mitch Leigh
Lyrics by Joe Darion
Performed by Simon Gilbert, Peter O'Toole (speaking),
and James Coco
Just as you also sit and think about the recursive show within a show within a show that you are seeing. We were shown one other aspect of the corrupt Christian church by the priest who plots with the niece and her fiance to bring the old man back to his 'senses' so he can legally will her his property.
There are so many lines in this movie that are momentous. Just the very idea in this jaded time that there are beliefs worth dying for, worth fighting the valiant but unwinnable battle against the implacable foe for, really knocks me out!!! Was anyone EVER so innocent, so pure?
I live in a country where the president, the Supreme Court and the Congress are filled with low life liars, and yet there are Americans here who are as noble as Senor Cervantes. There is another noble character in here that I would love to see analyzed by some of you scholars: that's the innkeeper/head of the prisoners. He has the respect of the mob, is a stable figure full of common sense, but yet is wise enough to respect the noble mad knight.
And then there's the squire, Cervante's neighbor. He reminded me of my feelings toward Bill Clinton, when he answered the question, "Why do you follow this madman?" "I like him. I just LIKE him." He's crazy, he's mad, he is engaged in an unwinnable fight, but "I like him". And Sophia Loren as the Mary Magdelene figure: those mauling scenes were excellently done, because they scared me and made me fear for her safety, as the men all but rape her. Maybe the reason they didn't was similar to the excuse I heard for my great-great-grandfather's 'kindness' toward his slaves in Opp, Al.: "You don't mistreat your horses, cause you want them to be around tomorrow healthy enough to work for you."
I checked this one out from the rental store, but I will now seek to buy it, as it's one that I will re-visit from time to time as I and my country changes. Will we ever have another time in the USA when 'good' people are able to make changes, when our planet is not allowed to be despoiled by our own government? Or is that to be left to another country whose Constitution is based on freedom, yet uncorrupted?
"When in the course of human events, it becomes necessary to shake loose the bonds of government..........." I'm afraid it's about time.
- alicecbr
- 28 de mar. de 2001
- Link permanente
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Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Man of La Mancha
- Locações de filme
- Tarquinia, Viterbo, Lazio, Itália(outdoor sequences near Etruscan ruins)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 12.000.000 (estimativa)
- Tempo de duração2 horas 12 minutos
- Proporção
- 1.85 : 1