Manson

"Manson" is a sad, disturbing film. It's horrible enough to hear the details of the Tate/LaBianca murders being recounted and to see the vicious, empty look in the eyes of Charlie's girls as they brandish guns and spout their guru's "philosophy"...but that's not all this documentary has to offer. Indeed, it poses a question of even greater importance than Manson's crimes: what happened in the '60s? Why did it all end so badly? The soundtrack, performed by former Family members "Little" Paul Watkins (at one time Manson's right-hand man) and Brooks Poston, consists of slow, slightly corny-sounding, but haunting and utterly apt acoustic songs. "Have you ever wondered what you were here for?" Watkins solemnly intones during the opening theme. "Have you ever wondered, 'Is there more?'" Later, talking about his involvement with Manson, Watkins says frankly, "I thought Charlie was Jesus." It is at this point that the sociological question which meanders its way through the film like a deep, dark river becomes apparent: what made these young people feel so lost and confused that they needed a Christ-figure, and what made them believe that Charles Manson was the messiah they sought? I'm afraid that we lost the last of our innocence and goodwill at the end of the '60s...and that if we do not examine how flower power, peace symbols and the Monterey Pop Festival led to sleaze, the Manson murders and Altamont in the space of just two short years, we'll never get it back.