Uma série de mortes misteriosas cercam o embaixador dos Estados Unidos, que se pergunta se é possível que a criança que ele está criando seja realmente o Anticristo.Uma série de mortes misteriosas cercam o embaixador dos Estados Unidos, que se pergunta se é possível que a criança que ele está criando seja realmente o Anticristo.Uma série de mortes misteriosas cercam o embaixador dos Estados Unidos, que se pergunta se é possível que a criança que ele está criando seja realmente o Anticristo.
- Ganhou 1 Oscar
- 6 vitórias e 9 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesHarvey Stephens, as Damien, was largely chosen for this role from the way he attacked Richard Donner during auditions. Donner asked all the little boys to "come at him" as if they were attacking Katherine Thorn during the church wedding scene. Stephens screamed and clawed at Donner's face, and kicked him in the groin during his act. Donner whipped the kid off him, ordered the kid's blond hair dyed black and cast him as Damien.
- Erros de gravação(at around 1h 26 mins) Toward the end of the film, Jennings says that the place name Megiddo derives from the term Armageddon. Actually, it is the other way around - "Armageddon" is a bastardization of "Har Megiddo", which, in Hebrew, means simply "mountain of Megiddo". According to Revelation 16:16, this would be the site of the last battle in history.
- Citações
Young nanny: Look at me, Damien! It's all for you.
[she jumps off a roof, hanging herself]
- Cenas durante ou pós-créditosClosing credits epilogue: "Here is wisdom. Let him that hath understanding count the number of the beast: for it is the number of a man; and his number is 666."
Book of Revelation Chapter 13 Verse 18
- Versões alternativasIn the Swedish version, the scene showing Jennings being decapitated has been cut by 11 seconds.
- ConexõesFeatured in V.I.P.-Schaukel: Episode #6.3 (1976)
Avaliação em destaque
This movie plays with the intellect. It is frightening for what is not seen. From the grey overcast that blurs the skies of London and the dead stillness of the great Pereford mansion that houses the ill-fated Thorn family to the deepest recesses of civilization in the hollow underground of an ancient excavation site, the film effectively captures the viewer's interest and draws them into a world that is on the verge of the ultimate disaster - the birth of the anti-Christ.
Born into the world of politics and wealth, little Damien Thorn is the darling of the beautiful and privileged Robert and Katherine Thorn. Mysterious accidents and the overall feeling of death begin to shadow their lives until the horrifying truth of Damien's birth is uncovered millions of miles away in a grave in a decaying pagan cemetery in Italy. Gregory Peck gives a fine performance as ambitious politico Robert Thorn, a man who slowly discovers that his fate is interlinked in ancient biblical prophecy. With escalating horror, he uncovers a grand design that's unfolding under the unsuspecting eyes of the entire world - and he and his perfect family are at the centre of it. His search for the truth is one of the best in films, taking him to the farthest reaches of the globe and climaxing in an exciting and bizarre confrontation between himself and the face of evil.
Lee Remick is ethereal as his beautiful and tragic wife. The rest of the cast - Billie Whitelaw as the creepy Mrs. Baylock, David Warner as the doomed Jennings and Leo McKern as the mysterious archaeologist Bugenhagen - give the movie its singular dark and moody quality. THE OMEN has a few disturbing moments that shock rather than disgust, but the film is loaded with memorable scenes that are ingenious. It's the 'feeling' that the film incites that makes this movie unique. The haunted performances of the actors, the creepy-crawly musical score, the insinuation that doom is slowly creeping into the world with the birth of one lone child, all succeed in making THE OMEN one of the truest horror films.
Sometimes it's the knowing that something is going to happen that is more frightening than actually seeing it happen ...
Born into the world of politics and wealth, little Damien Thorn is the darling of the beautiful and privileged Robert and Katherine Thorn. Mysterious accidents and the overall feeling of death begin to shadow their lives until the horrifying truth of Damien's birth is uncovered millions of miles away in a grave in a decaying pagan cemetery in Italy. Gregory Peck gives a fine performance as ambitious politico Robert Thorn, a man who slowly discovers that his fate is interlinked in ancient biblical prophecy. With escalating horror, he uncovers a grand design that's unfolding under the unsuspecting eyes of the entire world - and he and his perfect family are at the centre of it. His search for the truth is one of the best in films, taking him to the farthest reaches of the globe and climaxing in an exciting and bizarre confrontation between himself and the face of evil.
Lee Remick is ethereal as his beautiful and tragic wife. The rest of the cast - Billie Whitelaw as the creepy Mrs. Baylock, David Warner as the doomed Jennings and Leo McKern as the mysterious archaeologist Bugenhagen - give the movie its singular dark and moody quality. THE OMEN has a few disturbing moments that shock rather than disgust, but the film is loaded with memorable scenes that are ingenious. It's the 'feeling' that the film incites that makes this movie unique. The haunted performances of the actors, the creepy-crawly musical score, the insinuation that doom is slowly creeping into the world with the birth of one lone child, all succeed in making THE OMEN one of the truest horror films.
Sometimes it's the knowing that something is going to happen that is more frightening than actually seeing it happen ...
- Christiancrouse
- 9 de nov. de 2001
- Link permanente
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- How long is The Omen?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- La profecía
- Locações de filme
- Guildford Cathedral, Guildford, Surrey, Inglaterra, Reino Unido(Where the wedding was being held)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 2.800.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 60.922.980
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.273.886
- 27 de jun. de 1976
- Faturamento bruto mundial
- US$ 60.922.980
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