Em 1940, após assistir e ser traumatizada pelo filme de Frankenstein, uma sensível menina de sete anos, que mora em uma pequena aldeia espanhola, entra em seu próprio mundo de fantasia.Em 1940, após assistir e ser traumatizada pelo filme de Frankenstein, uma sensível menina de sete anos, que mora em uma pequena aldeia espanhola, entra em seu próprio mundo de fantasia.Em 1940, após assistir e ser traumatizada pelo filme de Frankenstein, uma sensível menina de sete anos, que mora em uma pequena aldeia espanhola, entra em seu próprio mundo de fantasia.
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- CuriosidadesCinematographer Luis Cuadrado was going blind at the time this film was made. An assistant would take Polaroids of the scenes and Cuadrado would direct the lighting by looking through a magnifying glass at these pictures. In 1980 Cuadrado committed suicide after he went completely blind and the tumor in his brain became too painful to face.
- Erros de gravaçãoWhen Ana and Isabel first go to the well, there are stones around the base. Ana steps on one to look down into the well. When she returns later there are no longer any stones so when she looks in to the well she is much too short to see down into it.
- Citações
Ana: [unable to sleep] Isabel?
Isabel: [opening her eyes] What?
Ana: [whispering] Tell me what you were going to tell me.
Isabel: [whispering] About what?
Ana: The movie.
Isabel: Not now... Tomorrow.
Ana: Now... You promised. Why did he kill the girl, and why did they kill him after that?... You don't know - you're a liar.
Isabel: They didn't kill him, and he didn't kill the girl.
Ana: How do you know? How do you know they didn't die?
Isabel: Everything in the movies is fake. It's all a trick. Besides, I've seen him alive.
Ana: Where?
Isabel: In a place I know near the village. People can't see him. He only comes out at night.
Ana: Is he a ghost?
Isabel: No, he's a spirit.
Isabel: Like the spirit Dona Lucia talks about?
Isabel: Yes, but spirits have no bodies. That's why you can't kill them.
Ana: But he had one in the movie. He had arms and feet. He had everything.
Isabel: It's a disguise they put on when they go outside...
Ana: If he only comes out at night, how can you talk to him?
Isabel: I told you he was a spirit. If you're his friend, you can talk to him whenever you want. Just close your eyes and call him... It's me, Ana... It's me Ana...
[they hear what sounds like ominous footsteps and are silent]
- ConexõesFeatured in Sus años dorados (1980)
- Trilhas sonorasOjos verdes
Written by Salvador Valverde (as Valverde), Rafael de León (as León) y Manuel L. Quiroga (as Quiroga)
The story is elliptically told and demands your participation in making sense of the narrative, but it's also leisurely paced and allows you to breathe in the atmosphere rather than forcing a particular reading on you. One thing you wouldn't guess from reading the other comments is how this is as much a film about nature as about history--it is like a poem of the countryside in winter, with long vistas of stone farmhouses framed against the rising sun. The film with the most similar visual palette is Malick's "Days of Heaven", but that film feels simplistic compared to the full immersion in history and memory presented in this film--a much more complete vision of the past.
Ana Torrent is unforgettable. I can think of no better film about children, yet (as with so many other things in this movie) it doesn't feel forced--these kids aren't just the director's pawns, but real, living beings.
If you get a chance to see it, definitely make the effort.
- muerco
- 6 de ago. de 2006
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- Também conhecido como
- The Spirit of the Beehive
- Locações de filme
- Hoyuelos, Segovia, Castilla y León, Espanha(Town and exteriors)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 149.034
- Tempo de duração1 hora 38 minutos
- Mixagem de som
- Proporção
- 1.66 : 1