O investigador particular Philip Marlowe ajuda um amigo a sair de uma encrenca, mas ao fazer isso acaba implicado no assassinato de sua esposa.O investigador particular Philip Marlowe ajuda um amigo a sair de uma encrenca, mas ao fazer isso acaba implicado no assassinato de sua esposa.O investigador particular Philip Marlowe ajuda um amigo a sair de uma encrenca, mas ao fazer isso acaba implicado no assassinato de sua esposa.
- Prêmios
- 2 vitórias e 1 indicação no total
Stephen Coit
- Detective Farmer
- (as Steve Coit)
Vincent Palmieri
- Vince
- (as Vince Palmieri)
Pancho Córdova
- Doctor
- (as Pancho Cordoba)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesThe location for Roger Wade - Sterling Hayden's home was actually Robert Altman's home at the time.
- Erros de gravaçãoMarlowe's initial line following Dr. Verringer's demand of $4400 from Roger Wade (in the hospital) appears to be dubbed. Marlowe lights a cigarette and does not move his mouth as the line is heard.
- Citações
Philip Marlowe: Nobody cares but me.
Terry Lennox: Well that's you, Marlowe. You'll never learn, you're a born loser.
Philip Marlowe: Yeah, I even lost my cat.
- ConexõesEdited into El adios largos (2013)
- Trilhas sonorasThe Long Goodbye
by John Williams and Johnny Mercer
Performed by The Dave Grusin Trio, Jack Sheldon, Clydie King, Jack Riley, Morgan Ames, Aluminum Band, The Tepoztlan Municipal Band
Avaliação em destaque
Phillip Marlowe is out getting food for his cat at 3am when friend Terry Lennox pops over and asks for a lift to Mexico. Marlowe obliges but returns to his home to find the police waiting for him with stories of Terry murdering his wife and Marlowe being an accessory. Three days later he is released from a holding cell whereupon he learns the news of his friend's suicide and all charges are dropped. Determined to get to the bottom of this open and shut case, Marlowe finds himself involved in the stormy marriage of Roger and Eileen Wade and the criminal activities of Marty Augustine.
Hailed as a classic, this film is actually a bit of hard work crossed with cool style in a plot that gets somewhere but seems to take a long time and a million back roads to get there. It won't be to everyone's tastes as a result because, even though I quite liked it, I must confess that the narrative is hard to follow and hard to particularly care much about. The wit of it is watching Marlowe updated a device that will annoy as many as it pleases. In Gould's laidback and shabby detective we have the opposite of the tough and snappy detectives of the genre, but it sits well within the modern setting of the modern generation (as was) with its hedonism and fads. This is interesting but not the same as a good detective story, which sadly this isn't. If you're not won over by the overall approach then it is unlikely that you will find a lot more to fill the time.
Altman's direction is focused on the style and, although he is fairly respectful to the material in regards what happens, he doesn't go out of his way to make it engaging. Gould fits the role well and enjoys his character. I would have liked more of the complexity underneath to come through to contrast with this surface. He is the film but he is well supported by a hammy show from Sterling and solid turns from Rydell, Pallandt, Gibson and Bouton.
Overall then a difficult film to really like. It has enough of its own style to be interesting but not enough of a hook in the narrative to please a mass audience. Altman's hands are all over the film and I understand why some viewers don't like it for that reason. Not one for those looking for a gripping detective story, but still interesting.
Hailed as a classic, this film is actually a bit of hard work crossed with cool style in a plot that gets somewhere but seems to take a long time and a million back roads to get there. It won't be to everyone's tastes as a result because, even though I quite liked it, I must confess that the narrative is hard to follow and hard to particularly care much about. The wit of it is watching Marlowe updated a device that will annoy as many as it pleases. In Gould's laidback and shabby detective we have the opposite of the tough and snappy detectives of the genre, but it sits well within the modern setting of the modern generation (as was) with its hedonism and fads. This is interesting but not the same as a good detective story, which sadly this isn't. If you're not won over by the overall approach then it is unlikely that you will find a lot more to fill the time.
Altman's direction is focused on the style and, although he is fairly respectful to the material in regards what happens, he doesn't go out of his way to make it engaging. Gould fits the role well and enjoys his character. I would have liked more of the complexity underneath to come through to contrast with this surface. He is the film but he is well supported by a hammy show from Sterling and solid turns from Rydell, Pallandt, Gibson and Bouton.
Overall then a difficult film to really like. It has enough of its own style to be interesting but not enough of a hook in the narrative to please a mass audience. Altman's hands are all over the film and I understand why some viewers don't like it for that reason. Not one for those looking for a gripping detective story, but still interesting.
- bob the moo
- 16 de fev. de 2007
- Link permanente
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- The Long Goodbye
- Locações de filme
- High Tower Drive, Hollywood, Los Angeles, Califórnia, EUA(Marlowe's residence)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.700.000 (estimativa)
- Faturamento bruto mundial
- US$ 23.191
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
By what name was O Perigoso Adeus (1973) officially released in India in Hindi?
Responda