Antes da Segunda Guerra Mundial, um casal diametralmente oposto, uniu-se apenas para descobrir que a amizade genuína e a atração física não são suficientes para superar crenças sociais funda... Ler tudoAntes da Segunda Guerra Mundial, um casal diametralmente oposto, uniu-se apenas para descobrir que a amizade genuína e a atração física não são suficientes para superar crenças sociais fundamentais.Antes da Segunda Guerra Mundial, um casal diametralmente oposto, uniu-se apenas para descobrir que a amizade genuína e a atração física não são suficientes para superar crenças sociais fundamentais.
- Ganhou 2 Oscars
- 6 vitórias e 8 indicações no total
Enredo
Você sabia?
- CuriosidadesRobert Redford was unhappy with cuts made to the film following a preview. He said, "I think we'd both have preferred a more political Dalton Trumbo -type script, but finally Sydney came down on the side of the love story. He said, 'This is first and foremost a love affair,' and we conceded that. We trusted his instincts, and he was right."
- Erros de gravaçãoIn California, Katie is holding a "hot" pot and offers it to Hubbell. He takes a spoonful and notes that it is, indeed, hot. However, moments later, Katie is holding the bottom of the pot with her bare hands.
- Citações
Hubbell Gardner: People are more important than their principles.
Katie Morosky Gardner: People ARE their principles.
- ConexõesFeatured in Film Extra: Sydney Pollock (1973)
- Trilhas sonorasThe Way We Were
Composed by Marvin Hamlisch
Lyrics by Marilyn Bergman and Alan Bergman
Sung by Barbra Streisand before the opening credits and during the end credits.
Music played often in the score
Avaliação em destaque
It's WWII. Katie Morosky (Barbra Streisand) is a Jewish girl working in New York radio pumping out patriotic programming among her many activist jobs. In a nightclub, she runs into former crush and Naval officer Hubbell Gardiner (Robert Redford). In college, she was a communist student leader struggling to rally against Franco with Frankie McVeigh (James Woods). He was the WASP star athlete, the man around campus, and outwardly lived a carefree life. He's taken with her tenacity and she admires his writing. In the post war years, they are married in Hollywood where he writes for the studio and she fights against Mcarthyism.
She has the better part. He's playing the trophy wife. His hemming and hawing with his writing is a bit infuriating. He's too cool for school except for a few emotional outbursts. Those are great for showing some depth in his character although the couple seems to have only two polar opposite gears. As for her, Streisand gives it her all. There is a grating edge to her character which is not that appealing. I do like that these two flawed characters struggle with their undeniable connection until I can't take their unending fight about politics. Another issue is the unchanging Grecian God beauty of Redford's look. This movie takes place over decades. He needs to change. Maybe give him a buzz cut during the war years. There is the famous song which I wouldn't diss or praise. Pollack delivers a solid melodrama although the relationship gets too melodramatic at times.
She has the better part. He's playing the trophy wife. His hemming and hawing with his writing is a bit infuriating. He's too cool for school except for a few emotional outbursts. Those are great for showing some depth in his character although the couple seems to have only two polar opposite gears. As for her, Streisand gives it her all. There is a grating edge to her character which is not that appealing. I do like that these two flawed characters struggle with their undeniable connection until I can't take their unending fight about politics. Another issue is the unchanging Grecian God beauty of Redford's look. This movie takes place over decades. He needs to change. Maybe give him a buzz cut during the war years. There is the famous song which I wouldn't diss or praise. Pollack delivers a solid melodrama although the relationship gets too melodramatic at times.
- SnoopyStyle
- 17 de fev. de 2019
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- The Way We Were
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 5.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 45.000.000
- Faturamento bruto mundial
- US$ 45.000.493
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By what name was Nosso Amor de Ontem (1973) officially released in India in Hindi?
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