Adicionar um enredo no seu idiomaA priest becomes involved in demonology and exorcisms.A priest becomes involved in demonology and exorcisms.A priest becomes involved in demonology and exorcisms.
Elisabeth Tulin
- Anna
- (as Elena Svevo)
Mimma Biscardi
- Succubus
- (as Mimma Monticelli)
Giuseppe Talarico
- Doctor
- (as Giuseppe Tallarico)
Luca Damiano
- Photographer
- (as Franco Lo Cascio)
Enredo
Você sabia?
- CuriosidadesFinal film of Richard Conte.
- Versões alternativasSome video prints are heavily cut; 5 to 20 minutes are missing in some versions.
- ConexõesFeatures La casa delle mele mature (1971)
Avaliação em destaque
Cries and Shadows, or Exorcist III as it was released in some places (got to love those international copyright laws), is one of the sleaziest Exorcist ripoffs that I have encountered. That is neither an endorsement nor a warning, just a statement.
The plot has a young man finding a strange medallion while on vacation with friends. Because of this medallion, the teen becomes possessed by a succubus (Mimma Biscardi, here often nude). The possessed's acting out is of a sexual nature. The teen as the succubus (whom, strangely, the victims can see) first tries to rape his mother and then his sister, who is a nun. At about the hour mark, Richard Conte shows up as the priest who will carry out the exorcism. And, that is about all there is to the film.
The film's one asset (aside from Mimma Biscardi's bare skin) is the setting. The film takes place in a village built on a hillside. The bourgeoisie family's villa is at the very top. It is a striking location and used well by the filmmakers. The rest of the film is mostly forgettable. I had seen this film once before and had remembered almost nothing except for the setting. As these type of films go, I prefer The Night Child (aka The Cursed Medallion) and The Antichrist (aka The Tempter). Nonetheless, Cries and Shadows does revel unapologetically in its bad taste. Fans of Exorcist ripoffs might be amused.
The plot has a young man finding a strange medallion while on vacation with friends. Because of this medallion, the teen becomes possessed by a succubus (Mimma Biscardi, here often nude). The possessed's acting out is of a sexual nature. The teen as the succubus (whom, strangely, the victims can see) first tries to rape his mother and then his sister, who is a nun. At about the hour mark, Richard Conte shows up as the priest who will carry out the exorcism. And, that is about all there is to the film.
The film's one asset (aside from Mimma Biscardi's bare skin) is the setting. The film takes place in a village built on a hillside. The bourgeoisie family's villa is at the very top. It is a striking location and used well by the filmmakers. The rest of the film is mostly forgettable. I had seen this film once before and had remembered almost nothing except for the setting. As these type of films go, I prefer The Night Child (aka The Cursed Medallion) and The Antichrist (aka The Tempter). Nonetheless, Cries and Shadows does revel unapologetically in its bad taste. Fans of Exorcist ripoffs might be amused.
- jrd_73
- 10 de abr. de 2017
- Link permanente
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